10 Music Videos That Should Be Adapted Into Films

Music videos are going through something of a renaissance era right now. Beyoncé, the true queen of visuals, ushered in a whole new trend with her self-titled visual album in 2013 for which she filmed 17 music videos. As if that wasn’t enough, she blessed us with Lemonade, a film to accompany her groundbreaking album exploring relationships and black womanhood. Lemonade even caused the VMA’s to revive the best long form video category, making Beyoncé the first artist to receive the award since Madonna in 1991.
Artists are stepping their game up, realizing concert footage will no longer cut it. This has given way to so many music videos that go beyond aesthetic and place a focus on storytelling. Some are even outdoing mainstream films with their original ideas and experimental cinematography. Whether it is the narrative, the characters or the method of storytelling, here are 10 music videos so captivating that they deserve to be adapted into feature length films.
1. The Lumineers, “Sleep on the Floor,” “Angela” and “Cleopatra”
Director: Isaac Ravishankara
In 2016, The Lumineers released a trilogy of semi-connected music videos centering around what seems to be the out-of-body experience of three women. While each of the videos, most notably “Sleep on the Floor,” could probably inspire their own charming indie flicks, it is the link between the three characters that would create the most interesting narrative. One of the most popular theories among fans and music blogs is that the videos depict the same woman at different stages in her life, exploring what could have happened if she had made different choices. An adaptation with a non-linear timeline that only gives subtle hints that the women are all the same up until a certain point in the film would be extremely intriguing.
2. Naughty Boy, “La La La”
Director: Ian Pons Jewell
What starts off as light hearted quickly turns mysterious in this music video loosely inspired by The Wizard of Oz. The English DJ/producer/songwriter/rapper teamed up with Sam Smith for this No. 1 hit, and while the video’s story is grounded in reality, it also plays with some pretty interesting surrealist elements. There would be a lot of room here to experiment with modern themes while tying everything together with the original content of the classic fantasy film.
3. Childish Gambino, “Telegraph Ave (‘Oakland’ By Lloyd)”
Director: Hiro Murai
Multihyphenate Donald Glover is possibly one of the most interesting creatives in the industry right now, and with credits as a musician, actor, writer and director, it is no surprise that his music videos would wind up on this list. Glover stars alongside Jhene Aiko in the video for “Telegraph Ave,” which shines in its stunning cinematography, coloring and location. For a while, it seems that was all there really is to the video, but a rather unexpected ending changes the whole story in a way that could make a really interesting movie. It should be noted that it could also make a pretty bad sci-fi movie (à la Sharknado) but in the hands of the right creative team, like the video’s director Hiro Murai who has also helmed several episodes of Atlanta, this could be rich with possibility.
4. Sonder, “Too Fast”
Director: Noah Lee
This music video has a lot going for it, from masterful cinematography to engaging pacing. While the narrative here is fairly abstract and seems to leave a lot up for interpretation, there is a wealth of symbolism that could make exciting source material for a longer film. Plus, considering representation for people of color in science fiction is rare, to say the least, a film like this could be a conversation starter if not groundbreaking for the genre even if it ends up being one of those films that you can watch repeatedly and still never really “get it.”
5. Kodaline, “Brother”
Director: Stevie Russell
The video for “Brother” uses the lyrics as a platform to tell a compelling story of the way a young boy is coping with the loss of his older sibling. In addition to the song’s heartwarming sentiment, the well done visual effects make the video for “Brother” is emotionally gripping and ripe for additional narrative. It’s easy to imagine a longer video as an endearing indie sci-fi flick or an absolutely terrifying psychological thriller. Either way, as long as the filmmakers are able to avoid the pitfalls of the comparable Charlie St. Cloud, we’d certainly watch.