Catching Up With… Patty Griffin
In 2010, fiery-haired roots chanteuse Patty Griffin has found herself in the eye of a beautiful storm. In January, she released her seventh solo album, Downtown Church; by the end of the year, she will have appeared on two other collaborative releases (the debut of Robert Plant’s new act, Band of Joy, and Buddy Miller project The Majestic Silver Strings) and may very well have another album of her own in the can. Meanwhile, she’s touring with her band in support of Church, playing more shows on the Three Girls and their Buddy tour (with Emmylou Harris, Shawn Colvin and Miller) and will hit the road with Plant and his Band of Joy later in the summer. If it hadn’t been for an actual storm—a real gullywasher that opened up over the Old Settler’s Music Festival near Austin, Texas in April—she might not have even had time to talk about all of her projects in the works. But thanks to the rain, Paste was able to sit down with the Maine native to talk about her current projects, her recent run-in with a tornado and her sudden desire to make her fans dance.
Paste: Do they have thunderstorms like this in Maine?
Patty Griffin: They have some impressive weather but it has more to do with the ocean.
Paste: Of all the cities you’ve traveled to, I’d think you have probably been through a few harrowing storms one time or another.
Griffin: I’ve seen a few things. Driving myself back from Nashville to Austin [recently], there were tornado warnings from Nashville all through Arkansas. Tornado warning, tornado warning, tornado warning. It looked really ominous the whole way. Just me and my pups in the car. I was feeling so relieved when I got past Dallas because by then you’ve been driving like eleven hours and you’re tired. So I see this beautiful sunset with this big black cloud over the sunset. I take out my iPhone and I start clicking. I almost pulled over because it was just breathtaking. The next day I went to see a friend—“Oh, man you gotta see this sunset.” She’s from Ennis, Texas. She goes “Oh, that’s not good. That’s a tornado.” I actually got a shot of a tornado without even realizing I was doing it. I don’t know how long it actually stayed on the ground but it definitely touched. I did feel exhilarated at that time. One of those moments—“I’m so glad to be alive!” I think the energy of the storm—I was picking up on that.
Paste: Tell us about this tour.
Griffin: We’re toward the end of the west coast run. We’ve got a little break now and we start up again in June on the east coast.
Paste: Are you also going to be part of a tour with Robert Plant’s Band of Joy?
Griffin: Yeah, Buddy [Miller, who produced the upcoming Band of Joy album] and I are doing three weeks in June of this tour and then we’re going to go home for ten days, and then start up rehearsals with Robert for July. … I got asked by Buddy to come and sing. And Robert called me to come and sing. I was planning on doing a recording of my own. I have a studio that I rent with Doug Lancio. I had been planning on starting my next record anyway. I had all these songs sitting around and I needed to get started. And I didn’t want to miss the opportunity to sing with Robert. So I got myself to Nashville for a couple weeks—more like ten days—and I ran back and forth between studios. Just sang all day long and had a blast. He ended up using me on a little bit more than they were planning on. He’d already asked me about doing some back up singing. I’d heard, in the fall, about Telluride Bluegrass Festival with Robert Plant. I’m like, “Okay!” I didn’t know what I was doing. Now it’s turned into much more of an official thing.
Paste: It seems like that’s your career over the past few years—you’re in demand. Do you have a hard time saying no?
Griffin: There are things I’ve had to say no to. I didn’t have time. Come to think of it, I always feel like I’m never doing enough. I also really like what I do. And when you’re on the road there’s a lot of sitting around that you do and you feel like such a bum, so you don’t really feel like you’re working very hard at all. I’ve been really lucky.
Paste: Are you one of those who are able to work, or write, on the road, or is it hard for you?
Griffin: I’ve done a little bit. I’ve done a very tiny amount over the past few years. I keep trying to find the right travel guitars. I had one of those baby Taylors. Sorry, Taylor, they suck. When you have to work on something they’re great to have. When the flight attendant says you have to gate check that, you say, “Okay. Please break it.” But I found a little Parlor guitar. They just started making these ones called Art & Lutherie. We’ll see if that does the trick.
Paste: Downtown Church—it sounds like it was an intense recording experience.
Griffin: Short, and intense. We had to do a lot to get as much as we did in that church, to get the sound of the church.
Paste: When you were done recording how long was it before you got to hear the rough mix? And what were your impressions when you first heard it?
Griffin: It was quite awhile because right after this happened Buddy and I went back on the road almost immediately with [the Three Girls and their Buddy] tour. And about a week into that [in February 2009] he had a heart attack. He was my liaison to hearing any of that. I was prepared to not worry about it. We were just focused on him getting better. So I didn’t actually hear anything till maybe April or May [of last year]. It was very surprising to hear. It sounded pretty good.