Paul McCartney: Tug Of War Reissue

It was late in 1980, and Paul McCartney had been in the studio recording the album that would become Tug Of War. Then the news came that John Lennon, his friend and collaborator in one of the most revered songwriting partnerships in rock music history, had been senselessly killed. On top of that, it’s not as if McCartney had been riding high on adoration from the press at that point in his career. McCartney II, his previous album, had been ripped apart. NME bluntly stated upon the album’s release that “it isn’t worth the plastic it was printed on.” Ouch. Tug Of War could have easily have been—perhaps should have been—an absolute mess. Instead, it turned out to be a highlight in a career that was already overstuffed with accomplishment and critical praise.
With help from producer extraordinaire George Martin and musicians like Eric Stewart, Ringo Starr, Stevie Wonder, Steve Gadd and Stanley Clarke to name but a few, an album was born that ranged from funky (“What’s That You’re Doing” with Stevie Wonder) to reggae-infused (“Take It Away”) to schmaltzy (“Ebony And Ivory,” also with Wonder) to heartbroken (“Here Today”). There are a lot of varying moods to digest over 40 minutes, but it gels well.
The single most remembered from the album is the duet with Wonder on “Ebony And Ivory,” a song that was written about a marital tiff but then transformed into statement on race relations. To this day it remains McCartney’s most successful No. 1 chart hit from his solo career, spending seven weeks atop the Billboard pop chart. However, it may not even be the best duet with Wonder on the album. The bouncy “What’s That You’re Doing” projects a synth-rock feel and sounds like a precursor to Wonder’s 1987 hit “Skeletons.” The song eclipses the six-minute mark and could have been tightened up with a bit of editing, but it gives you plenty of opportunity to brush up on your popping and locking skills.
On the ballad front, he blends a lovely melody over the bleeding lyrics of “Here Today.” McCartney pours out his heart to Lennon in a one-sided lament in a song that still remains a staple of his live shows today:
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