The 5 Best Late Night Shows of 2024
Mulaney photos: Adam Rose | Netflix. After Midnight photo: Sonja Flemming | CBS. All others are screencaps from YouTube.
2024 was quite interesting for the landscape of late night television here in the United States. Where to begin?
One notable, albeit not unprecedented, development was the September death of The Tonight Show’s Friday night broadcast, a move that came only four months after a highly-rated anniversary special to mark Jimmy Fallon’s 10 years as host, and just weeks before the most venerated brand in late night was set to celebrate 70 years on the air. The cruel irony: the anniversary came on a Friday, leaving no room for a trip down memory lane, and showcasing once again just how far the program has fallen from its place atop the culture.
There have been a few wins in late night television this year, though. New faces have continued to flourish as old(er) ones (see: the Monday host of The Daily Show) have returned. Eric Andre won an Emmy for the final season of The Eric Andre Show. So too did another host, a man by the name of David Letterman, for his Netflix special, My Next Guest with David Letterman and John Mulaney (more on them below).
While the ratings continue to favor the three marquee brands for each network—Fallon on NBC, The Late Show with Stephen Colbert on CBS, and Jimmy Kimmel Live! on ABC—it is clear that each of these programs are more comfortable in a ratings war of attrition than, well, actually attempting to innovate. The topical monologues, the celebrity guests, and a recurring staple of bits endure: popular with late night loyalists, but unlikely to capture the next generation of viewers.
And so, notably, none of those programs make our list of the year’s best late night shows. Instead, we turn to the innovators: those who, in our fractured media environment, are boldly carrying the late night torch into the second quarter of this century.
5. John Mulaney Presents: Everybody’s in LA (Netflix)
One of the more interesting bits of late night programming this year came from John Mulaney, who across six nights hosted a live talk show that aired at 10 p.m. EST on Netflix, a tie-in with the company’s larger Netflix is a Joke Festival. Much of the show was a glorious mess, or, as Jon Stewart put it on the second episode, “I feel like this whole show is a Banksy.” The show itself functioned as Mulaney’s ironic love letter to his adoptive hometown. Each episode featured a theme that, in turn, highlighted some aspect of Los Angeles.
On the program, Mulaney delivered a monologue, chatted with A-listers on a couch and set that mirrored the spirit of, say, a Dick Cavett broadcast, aired pre-recorded bits, and ended each episode with a musical guest. New Yorker Richard Kind served as the show’s Andy Richter/Ed McMahon. At the outset of the program, Mulaney jokingly warned that given the fleeting nature of the program, it would never find its footing. And while it certainly never did, that was never really the point to begin with.
For six nights, Everybody’s in LA, at its best and worst, breathed new life into the late night landscape, and perhaps showed one possible path forward for late night programming, which is often at its best around big events and news cycles. In January, for example, ABC will launch They Call It Late Night with Jason Kelce, a five-episode series set to run at 1 a.m. EST during the NFL playoffs. The Mulaney Effect is real.