Despite a Glorious Finale, Loki Season 2 Was Another Waste of Time
Photo Courtesy of Disney+
Last week, an article in Variety titled “Crisis at Marvel” broke down the many issues plaguing Marvel Studios in 2023. These include diminishing box office and critical responses to recent works, reshoots on The Marvels, and banking the future of the MCU’s next phase on Jonathan Majors, a man currently awaiting trial on assault charges. Marvel Studios, once the unsinkable entertainment monolith, suddenly appears to be taking on water.
In the article, author Tatiana Siegel mentions that the Disney+ era of MCU TV was a 2020 COVID mandate to “help boost Disney’s stock price with an endless torrent of interconnected Marvel content for the studio’s fledgling streaming platform.” Gaps between films would be filled with six-episode TV shows so there would never be a week without new Marvel offerings. They flooded the market with short TV shows to sell Disney+, which now comes with a hefty $14 a month price tag.
All art made in an industry like entertainment is inherently corporate, to a degree. But greenlighting such a high load of TV has severely hurt each series. Marvel’s six-episode runtime is far too short, yet, even in that time frame, it often feels like very little happens. The shows have horrible pacing, many episodes are spent talking in circles until they finally reach the one episode that the season was pitched around. Marvel’s resistance to hiring showrunners and choosing “Head Writers” instead leads to massive structural issues with every show and an utter lack of narrative momentum.
Loki Season 1 suffered from all those issues and some. The decision to have our main character’s love interest essentially be another version of himself didn’t exactly draw people in. There was so much promise in its analog science-fiction setting and time travel possibilities. But Season 1 kept getting caught on the show’s demands to the greater MCU narrative.
Season 2 of Loki could have been great. They could have gone on more actual time travel adventures. But instead the season descended into the same problems. New issues include an overly complicated plot with time travel rules that need constant reiteration, individual character conversations often going in circles as characters tell each other exactly what they want, and far too much of the season being trapped in the same sets rather than exploring the literally infinite possibilities of infinite timelines. Side characters struggle to get their due, and even an always wonderful Ke Huy Quan is relegated to becoming a glorified exposition-reciter.