Is It Enough that NatGeo’s Hidden Kingdoms of China Showcases Nature but Skips Conservation?

Hidden Kingdoms of China opens and closes with a panda, which is exactly what you would expect from a nature documentary focused on the charismatic megafauna of the region. And that is both the project’s strength and its weakness. The National Geographic documentary explores a variety of different Chinese habitats and regions, highlighting Tibetan foxes, golden snub-nosed monkeys, and snow leopards alongside intriguing micro-life like dragon caterpillars. Narrated by Michelle Yeoh (Crazy Rich Asians, Star Trek: Discovery), Hidden Kingdoms of China is essentially a survey of some of China’s fascinating wildlife, but one that focuses only on the animals’ kingdoms and not on the changing world around them.

We have been treated to a wealth of great documentary filmmaking and docuseries lately that explore Earth on micro levels with ever-evolving tech that’s able to capture these creatures and their habitats with incredible detail. But many, including Netflix’s Our Planet, BBC America’s Seven Worlds, One Planet, and Apple TV+’s The Elephant Queen have also given context to how these habitats came about and how they are changing. Hidden Kingdoms does not; its documentary subjects exist in a beautiful snow globe of isolation. It almost looks like China is uninhabited; and even if these remote regions are largely untouched by civilization (hence the “hidden” part), the impact of China’s growing industrial complex and farming practices (and the mass migration from farms to cities) is surely something that has an impact on the homes and food supplies of its native flora and fauna.

Hidden Kingdoms of China is already juggling a lot, though, in terms of what it wants us to learn over the course of its presentation. Yeoh’s narration is constant, with a very packed script delivering tons of facts. Because of that, both the pacing and the narrative flow can feel scattershot. Unlike Born in China, which focused on three different megafauna’s stories, Hidden Kingdoms tries to fit in far more than its timeframe feels like it can reasonably allow (and in terms of the snow leopard, giant panda, and snub-nosed monkeys, retreads what that other documentary also covered). You really can’t get enough of any of these amazing animals, so I certainly don’t begrudge it that (I audibly gasped on more than one occasion at general cuteness, as well as the inherent nervousness that the animal parents may not, in fact, be able to adequately provide foodstuffs to their tiny offspring). But it feels like Hidden Kingdoms could have easily been expanded into a series that gave more time to the animals being documented, the behind-the-scenes of the filming itself, and of course conservation. (Update: The film will be shown as an expanded 5-hour series airing on NatGeo WILD in March).