Single Drunk Female Has Quietly Been One of TV’s Best Explorations of Sobriety
Photo Courtesy of Freeform
Sometimes a show needs you to look past its name (Single Drunk Female) and its platform (Freeform) and give it a chance. The turning point for me was learning this series wasn’t about the wild exploits of a party girl meant to appeal to Freeform’s YA demo, but about a woman in her late 20s who comes to realize she’s an alcoholic. What follows is a show that unravels the consequences of Sam’s (Sofia Black-D’Elia) addiction, and her road to recovery.
Created by Simone Finch, the winning first season (which just wrapped and is available to watch in full on Hulu) has just one flaw: it’s not nearly long enough. At least, its episodes aren’t. Its structure—that of a half-hour series, which typically runs 22-minutes before commercial breaks—is the purview of comedy series and sitcoms. Though in recent years many shows (often on FX or HBO) have broken out of that mold to create half-hour dramas, they still often run longer than that, sometimes pushing 40 minutes or more. Single Drunk Female doesn’t adhere to a typical episodic act structure of a comedy, either; installments end in the middle of a scene, and as I’m waiting for the next plot turn I notice the credits rolling at the bottom and despair.
It’s a good problem for a show to have, living as we are in a time of streaming bloat and drama premieres that court movie runtimes. It also illustrates just how good the series is. I watch a ton of TV, I lament constantly that episodes and seasons are too long. But here? Every week I wanted more.
Single Drunk Female is also an anathema to TV’s love affair with alcohol. From Cougar Town to Scandal, women in particular are often shown guzzling wine glasses the size of fish bowls as a “way to unwind,” without consequence. Most shows that feature characters regularly getting drunk do so for comedic effect, either as a one-off or simply a way of life (like It’s Always Sunny in Philadelphia, for instance). Or, in a drama series, a character suddenly develops a “problem,” it’s dispatched of quickly: there’s an intervention within an episode or two, or perhaps they’re dramatically killed off. Or maybe a sober character goes on a bender before they are set back to rights. Whatever the scenario, it’s extremely rare for a series to actually focus in on the issues with drinking culture and the consequences of it outside of, say, a flame-out on a lonely road. In particular, there are almost no series that make sobriety their key trait.