Amazon’s The Wheel of Time Briskly Gallops Through an Enticing Fantasy World
Photo Courtesy of Amazon Prime
“The wheel weaves as the wheel wills,” and for Amazon Prime Video’s new fantasy series, it wills it quickly. Running an economic eight hourlong episodes, The Wheel of Time is a brisk entry to Robert Jordan’s massive novel series, which evidently contains 2782 distinct characters. Amazon’s version doesn’t have quite that many, not yet, but I can genuinely say that as a newbie to the franchise it took me several episodes and many tabs to understand what anyone’s name actually was (from what I can tell, Jordan just drew letters out of hat to conjure them). And yet, this adaptation—developed by Rafe Judkins—does everything it can to be accessible to viewers unfamiliar with the source material.
What effect that has on book readers’ enjoyment of the series is not for me to say. However, for fantasy fans in general, the setup for The Wheel of Time will feel exceptionally familiar. There is a Chosen One (with a twist—more on that in a moment), radical followers of The Light, scholarly ogre-types, trollocs (scary Orc-like beings), wraiths, and powerful sorceresses who can “channel The One Power” to help humans in the forever battle against The Dark One. The names here aren’t that unique—Jordan saves that for everyone and everything else—but it establishes a traditional fantasy foundation on which to build an adventure story steeped in lore that the show is, surprisingly, in no hurry to reveal (despite its rush in every other aspect).
On the one hand, maybe it’s a smart play. Lore and exposition drops are very tricky in fantasy series. Too much of it and you’ll overload viewers with things they don’t understand without context, and possibly don’t care about regardless. Too little, and your world will feel flat. The Wheel of Time errs towards the latter, hence my careful Googling and Wiki tabs to fill in the blanks without spoilers, but that’s not necessarily a bad thing. There’s more to explore if you want it, but for casual viewers, much of the ancillary information is either doled out when it’s important to know, or is glossed over because it would otherwise bog things down. Again, for fantasy series based on well-established novels (Shadow and Bone, Game of Thrones), that’s not a new storytelling tactic.
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