Double the Fun: Anna Fields Talks About Creating a Book and Documentary at the Same Time for The Girl in the Show

Anna Fields is an author and filmmaker who’s having a big year. Her book The Girl in the Show: Three Generations of Comedy, Culture and Feminism was released today, she’s developing a TV series based on the book and the first installment of the documentary series by the same name is in the finishing stages.
To put together the book and documentary at the same time, Fields interviewed comedians such as Molly Shannon, Abbi Jacobsen and Lizz Winstead to guide her exploration of the ways in which comedy and feminism have been intertwined throughout the years.
She spoke with Paste about writing the text and creating the documentary simultaneously, as well as diving into the act of creation without being exactly sure how you’re going to do it.
Seeing someone put out an exhaustively researched book like The Girl in the Show , I assumed that you had a background in journalism. But you actually don’t!
No! I went to Brown for undergrad and was a Cognitive Neuroscience major, of all things. I wrote a few articles for The Brown Daily Herald , but didn’t formally study writing. I went to LA after graduation and worked for Oxygen Network, then I ended up writing a play and getting into the MFA writing program at NYU to focus on TV writing.
I had an internship at As the World Turns and I showed that first play to a Creative Executive, and I ended up writing for Guiding Light until the Writer’s Strike happened in 2007. I couldn’t work for TV anymore, so I wrote a proposal for my first book Confessions of a Rebel Debutante and applied to law school at the same time. I figured one of those two things would work out—but they both did! I deferred law school to write the book, then took a semester off for the book tour, another semester off to write on One Life to Live , then I finished law school, wrote and produced two independent films (and a couple web series) and wrote briefly for Cartoon Network.
You were busy! So coming from that experience, what was the genesis of the idea for the book and documentary?
At the 2013 Austin Film Festival, I re-watched the pilot episode for Saturday Night Live . I knew I wanted to do something about Gilda Radnor being a feminist icon. The book title came from the way that Harold Ramis and John Belushi got butts into seats for the Not Ready for Prime Time Players—they would announce that there was “a girl in the show.” Having a woman perform, that was their novelty, their hook.
Why was including the angle of feminism alongside the history of female comedians so important to you?
Well, because feminism gave rise to women in comedy. The relationship is symbiotic. And because of this “chicken-or-the-egg” relationship, comedy itself is really an expression of feminism.
Since I had never directed a documentary before, I reached out to a few producers I knew (who all happened to be male) to get their advice and possibly work with them. They loved the idea but wanted to take feminism out of it and just do a documentary on Gilda.
I didn’t want to do that. One, that’s been done before, and two, that sucks. I didn’t want to do the project if it wasn’t about Gilda’s inherent feminism, so I decided to do it on my own.
Then how did you begin the process of finding people to interview, especially given that this was your first time producing a documentary?