Extraordinary Tales

Extraordinary Tales, a seasonal piece of spookery by Raul Garcia, means well but haunts only half-heartedly. The film is a meta-monument to the works of Boston-born, Baltimore-dead Gothic-Romantic wunderkind Edgar Allan Poe, chiefly his short stories but with a side helping of poems: “Annabel Lee” and “A Dream Within a Dream” start us off alongside a nod to “The Raven,” but the meat of the production consists of “The Fall of the House of Usher,” “The Tell-Tale Heart,” “The Facts in the Case of M. Valdemar,” “The Pit and the Pendulum,” and “The Masque of the Red Death.” Garcia presents his movie in anthology format, but he goes against the presentational grain by acting as the sole driving force behind the camera.
Maybe he needed the additional vision of cohorts and collaborators to make Extraordinary Tales live up to its title. At least he has a collection of like-minded artists working with him in tandem in recording booths: Garcia has assembled a rogue’s gallery of horror icons to assist in the narration of each yarn, from the late, great Christopher Lee, to Guillermo del Toro, to the disembodied accented tones of Bela Lugosi, who apparently toured a dramatic reading of “The Tell-Tale Heart” back in the late 1940s, thus supplying Extraordinary Tales with his vocals today. (Julian Sands, while not exactly a horror icon, also provides dictation for “The Facts in the Case of M. Valdemar,” one of the film’s more successful segments.)