Paul F. Tompkins is a Hardworking Man
Photo by Liezl EstiponaIf you want to make it as a comedian it’s important to diversify. You have to be comfortable with stand-up, sketch and improv. You have to handle performing live and recording shows and podcasts. You have to be active on every kind of social media. You have to act and write and maybe even sing a little bit. You have to do at least a little bit of everything, and few comedians today do as much of everything as Paul F. Tompkins.
He’s a TV host, an indefatigable podcaster, an insightful and generous interviewer, and one of the core writers and performers from the legendary Mr. Show and its upcoming reunion. This weekend, though, he returns to his stand-up roots with Crying and Driving, a new hour-long special airing on Comedy Central at 11 PM ET/PT. It’s his first stand-up special in three years, and even though Paste has already interviewed him like twice in the last year, we weren’t going to let the opportunity to talk to him again pass us by. We chatted briefly earlier today as Tompkins was being driven to another appointment, touching base on not just the new special but on his many other projects and the larger comedy climate. Somehow though we forgot to ask him about Kevn Kinney and Drivin’ ‘N’ Cryin’, and now we’re really bummed about that.
Paste: You’re a busy guy. Stand-up, podcasts, voice-acting, No You Shut Up… what do you like doing the most when it comes to comedy?
Paul F. Tompkins: Oh, man, if I knew that I’d probably just do that one thing. It’s really tough because I really enjoy all different disciplines and all different styles of comedy. The thing about stand-up is the challenge of being there by myself and coming up with that material and communicating my ideas to an audience. Working with other people in improv is great and so much fun. The TV stuff is my primary job and getting to put together a TV show, having been a fan of television all my life, is an incredible thing.
Paste: Do you wish there were still game shows you could be a guest on? Because you’d be perfect for that.
PFT: For a long time we did a live version of Match Game, the old ‘70s game show at the UCB with Jimmy Pardo hosting. I was one of the regular panelists on that show. We recently did a couple reunions of that and that is a ball. Those days of those ‘70s game shows were really amazing. I think people were just getting drunk. I think they’d shoot a season’s worth in two afternoons. That kind of thing seemed very cool and glamorous to me as a kid. I would love to do something like that.
Paste: Some comedians have complained about the new comedy ecosystem the internet’s created, where you basically have to do all this stuff all the time to keep your name in the spotlight. But it seems like that’s right up your alley, then.
PFT: Yeah, I don’t know what’s to complain about, because I feel like you have more outlets. It’s easier to reach people now than it used to be, and it’s fun. It’s fun to do podcasts. I’d rather do podcasts than have to wake up at the crack of dawn to have to do a radio show in hopes that the people who are driving on their way to work or making breakfast to their kids are going to pay attention.
As a medium podcasting is really terrific and has been nothing but a boon to comedians.
Paste: So your new special is tomorrow night. It’s been three years since your last one. Do you think you’re still growing and changing as a stand-up, or do comedians eventually reach a plateau, their final form, and that’s who they are
PFT: Hopefully I’m still evolving. That to me is more interesting than if I just figured out a formula and just did that formula. That works for some people and some people enjoy that, and it probably, honestly, it probably helps them more because it’s a definable brand that people can latch onto, and I don’t think that I’ve ever really had that. But I am a restless in that way, and so my style has changed a lot over the years. But that’s a thing I like about it, and I hope it continues to change. I don’t know what’ s going to be next for me. Right now I’m telling personal stories from my own life and trying to relate those to an audience in an emotional way, find the commonality of feelings that we all have. And then I don’t know. I don’t know what’s down the road, where I’ll go next.