10 Thrilling Dystopian Titles You Probably Haven’t Read
Nowadays, dystopian is the new vampire. Almost like clockwork, Bella Swan handed off her mantle to Katniss Everdeen. Shows like True Blood and The Vampire Diaries have been supplanted by dystopian lit’s big screen adaptations, from Veronica Roth’s Divergent series to Lois Lowry’s grade-school classic The Giver.
Just as Twilight drew inspiration from Dracula—and a long line of lesser-known books sharing its basic genetic code—popular dystopian titles today are influenced by a sea of authors deserving your attention. So we rounded up 10 dystopian tales you may have never read (but really should).
1. The Handmaid’s Tale by Margaret Atwood (1985)
Probably the most well-known title on this list, The Handmaid’s Tale highlights gender and class in a world dominated by a militant Christian theocracy. With Nebula Award and Booker Prize-winner Atwood at the helm, it’s a novel both sci-fi fans and readers who wouldn’t touch a Philip K. Dick book with a 10-foot pole will find compelling.
2. The Circle by Dave Eggers (2013)
Social networking was just asking for a dystopian spin and, luckily, Eggers made it happen. The Circle highlights how our desire to connect with others online leads to less individualism, autonomy and, ironically, social connection itself. You’ll be struck by how eerily familiar the novel feels; leave it to Eggers to write a book as current as it is futuristic.
3. That Hideous Strength by C.S. Lewis (1945)
Whereas the first two books in Lewis’ Space Trilogy (Out of the Silent Planet and Perelandra) highlight journeys to other worlds, That Hideous Strength features an Earth beginning to lose its sense of spiritual fortitude. Although Lewis’ Christian faith and predilection for allegory permeates his Space Trilogy, it’s far less heavy-handed here than it is in the Narnia novels. The main source of dystopian strife in the novel stems from the education system, which should come as no surprise given Lewis’ background as a professor. Fun fact: That Hideous Strength pre-dates Orwell’s dystopian Magna Carta, Nineteen Eighty-Four, by four years.
4. The Pillowman by Martin McDonagh (2003)
In the spirit of variety, we’ve included McDonagh’s play The Pillowman—and what a play it is. It’s gritty, it’s dark, it’s McDonagh (screenwriter of In Bruges and Seven Psychopaths) through and through. Protagonist Katurian, a writer whose unsettling short stories bear more than a passing similarity to a number of child murders, lives in a police state. As Katurian’s story progresses, humanity’s desire to create—even in the face of great adversity—is on full display.