Documentary Now Dreams of Chicken and Rice in Brilliant Jiro Parody

“Juan Likes Rice & Chicken” was billed by IFC as “inspired” by David Gelb’s 2012 film Jiro Dreams of Sushi, but it’s closer to a straight-up re-creation (with a few key substitutions). The show impeccably mimics Gelb’s focus on a man’s obsession with perfection, and sons’ attempts to live up to their father’s standards. The humor seemed slightly lacking at first, but in retrospect, this season’s second episode is just so different in pacing, tone and the ribald humor from John Mulaney’s script for last week’s episode (“The Bunker”) that comparisons would be unfair. Written by co-creator Seth Meyers, “Juan Likes Rice & Chicken” offers a subtler, refined humor that appeals to the food snob in all of us.
Instead of sushi in Tokyo, Documentary Now shifts to a remote village outside of Bogotá, Colombia, where Juan’s small restaurant earned a three Michelin star rating for serving a meal consisting of “warm” black coffee, a split banana, buttered rice and chicken (when available). The eatery is so off-the-beaten path that patrons have a 40-minute-walk from the closest road. When one tourist complains that he didn’t know he should have brought water for the hike, his companion says she’ll mention it in her review. It’s a perfect quip for this Yelp-ified world.
“Juan Likes Rice & Chicken” hits its marks when it takes a cue from Fred Armisen’s other IFC show, Portlandia, and pokes fun at today’s food-obsessed culture. Directors Rhys Thomas and Alex Buono carefully construct wonderful, Instagram-able food shots throughout the episode, with the camera lingering on the pat of butter on white rice to the perfect halving of a banana. The seriousness with which Juan buries the coffee beans for that earthy taste; to his insistence on massaging chicken breasts (when available) and then shooting them out of a high-pressure cannon against a wall; and his obsessive need to inspect every banana at the market, testing how it looks in the light to how it sounds, is hilarious because we’ve witnessed similar scenes (e.g., debates on sous-vide cooking vs. poaching) on nearly every food show.
Like Jiro, the use of classical music throughout the episode adds to the “seriousness” of the subject matter. The straightforward interviews with Los Angeles Times food critic and writer Jonathan Gold and chef David Chang of Momofuku are especially effective as they apply the food show vernacular (“so simple, yet so complex” and “superior technique”) to chicken and rice. When Chang asks, “How the hell can you take four ingredients and translate that into three Michelin stars?” he says it non-ironically, which only highlights the hilarity of the statement.