The Current Power Rangers Cast Discusses the Ranger Legacy, Surrealist Violence and The Land Before Time
Jurassic World wasn’t the only major project to resurrect the bones of a monstrous ‘90s pop culture phenomenon this year. Launched last February, Power Rangers Dino Charge marks the 22nd season of a live-action show that features unreasonably pleasant teenagers fighting guys in rubber costumes with neon weapons and giant robots. To reiterate: the show began in 1993 and the majority of its first viewers have aged into their 30s.
Power Ranger’s bizarre production tricks makes its breakout success even more notable. Since its inception, the series has used overdubbed action footage from Super Sentai, a Japanese superhero show that was in its 18th season when Rangers first graced the small screen. Spliced between Power Ranger’s borrowed fight sequences, original footage featuring western actors adds sparkling teenage subplots between the bombast. And the action is bombastic; theatrical hand-to-hand skirmishes elevate as each Ranger helms a robot that forms into a humanoid Voltron-esque mech. Sparks fly. Bad guys in G-rated GWAR outfits groan and retreat. It’s a sensory assault of color and fury that sends children into adrenaline-fueled splendor and adults into epileptic seizures.
This formula occupies a new theme each season—save the first three—along such motifs as Lightspeed Rescue, Jungle Fury, Cowboy Implosion and Lost Galaxy. (Paste only made one of those up. Guess which.)
This longevity and cultural edge may explain the current renaissance of the property. Last February, Dredd producer Adi Shankar and Joseph Kahn presented a “bootleg universe” film starring James Van Der Beek that traded after-school lessons for a post-apocalyptic descent into flask hits and head shots. (Original Green Ranger Jason David Frank wasn’t a fan.) A formal Power Rangers blockbuster is in the works for 2017, with Thor and X-Men: First Class screenwriters Zack Stentz and Ashley Miller on tap alongside producers Allison Shearer and Brian Casentini. Publisher BOOM! even acquired the license to release Power Ranger comics based on the first three seasons of the show.
The latest show iteration, Power Rangers Dino Charge, revolves around a set of restaurant workers at a Dinosaur museum who discover gems that help them combat a hilarious bounty hunter named Sledge. The second half of the season kicks off tomorrow at noon on Nickelodeon. Paste sat down with the cast—Red Dino Charge Ranger Brennan Mejia, Pink Ranger Camille Hyde, Blue Ranger/ex-Caveman Yoshi Sudarso, Green Ranger Michael Taber, Black Ranger James Davies and probably-future-Ranger/scientist-manager Claire Blackwelder— during San Diego Comic Con to discuss the show, fantasy violence and The Land Before Time.
Paste: The amazing thing about the Power Rangers is that it incorporates older Japanese footage from Super Sentai, which is such a diversifying factor. Why do you think that approach has continued to succeed?
Yoshi Sudarso: It’s been such a formula that works.
Michael Taber: If it’s not broke don’t fix it. Try to get better and better. They found a niche that worked for them at the very beginning, and it was very popular. The Toei and Saban brands work very closely together, and they go back and forth. They have a very good partnership, and they’re able to collaborate on ideas for the new suits and licensing and jazz that’s benefitted both franchises. I think that symbiotic relationship helps everybody.
Claire Blackwelder: Yesterday there was this half and hour or so when [former director/writer, current Power Rangers executive producer] Chip [Lynn] was put in charge of the Power Rangers Twitter to answer a bunch of questions and I thought it was kind of fun, so I tweeted a question at him. And I asked him what the biggest change has been since preproduction in 1992 to today. The way he answered it was, I think the biggest change is I’m charge now. But he went on to say the biggest difference is that the stories are a lot more complex now. I think that’s absolutely true. There’s just so much more depth to everything. Stories are interwoven, you can bring things back that were introduced at the beginning of the season, there’s actual time put into each character. And we still do have—like Michael was saying—a symbiotic relationship, and the interesting factor of the Japanese footage being used. We still have everything that makes Power Rangers Power Rangers, but we have these elements that make it a real TV show with character and heart, and just personality.
Yoshi Sudarso: The tricky thing I think for the writers is instead of being bound by the Japanese footage, it’s to use the Japanese footage to their advantage, and tell their story—not the story that the Japanese have already written. So it’s to make it their own, which you will see later on in the season. There were a couple things, when I was reading it, I went whoa—this is a whole new twist on how things are happening. You guys should look forward to those things.