CuCu Diamantes’ Love Letter to Cuba
The pitfalls some concert documentaries fall into are very easy to spot when you’re working with the source material of a tour. There’s bound to be a few breakdowns, a fight or two with a tour manager, and a triumphant message wrapped in a tight bow. That’s why Cuban-born artist CuCu Diamantes’ Amor crónico is refreshing.
The musician completely abandons the obvious formula of trying to find crises on the road in exchange for a cultural love letter. Not only is this Diamantes’ first solo tour, but it’s her first in her home country. Unlike a typical concert doc, Diamantes weaves in a fictional story of unrequited love as she discovers the immense passion she has for Cuba and the people that inhabit it.
Paste caught up with Diamantes who spoke with us about the importance of identity and her influences.
Paste: Making a film is no easy feat, nevermind embarking on a tour. Was this a daunting task?
CuCu Diamantes: It was hard to do. We shot the film in 11 days. I only slept three or four hours a day because I had to be very focused, but the film crew and the music crew were filled with a lot of energy. It was tough, but it was a special experience.
Paste: What was the greatest challenge?
Diamantes: It’s half documentary and half fiction, so the hard part was the editing. It took a year because I didn’t want to bore people with showing whole songs. It was the hardest part—how to edit and not bore people.
Paste: You say in the film that you’re too Cuban to live in New York and too much of a New Yorker to live in Havana. Was that transition difficult for you?
Diamantes: That’s a famous expression. Every immigrant has that problem. When you are in one part, you miss the other part, and you don’t know where to live, but now when I go to another place I feel more local. If I go to Rome, I feel like I’m from there. If I go to Mexico City, I feel like I’m from there.
Paste: Did you have a certain vision of how you wanted the storyline to cut in with the tour?
Diamantes: No. Everything happened very organically. We were just creating. My songs are from my first solo album, so that was already worked in, but the whole tour was a work in progress. Many things happened naturally with the audience.