The 10 Best Haunted Dolls in Movies

Where I live, there used to be a museum devoted to all the styles of toys from older generations. It was a deeply cursed place, filled to the brim with eerie, off-kilter playthings, and I delighted in bringing friends to enjoy the spoils of childhoods past. No room elicited more joy than “the doll room,” where hundreds of different dolls sat staring in unison at any museum patron unfortunate enough to be caught by their glassy-eyed gaze. It doesn’t matter if they’re porcelain, wooden, plastic—the chills and thrills unanimously felt at these toys confirms the universal, age-old creepiness of the doll.
In the olden days, toys were simply made creepier, but there’s something about the disarming innocence associated with dolls that can be inverted into terror. They only ever “come to life” in the imagination of a child when unobserved by grown-ups, but this also makes them the perfect inanimate object to turn sinister and violent when nobody’s around to help you. Plus, they’re often the subject of demonic spells to create a cursed vitality in the most unexpected host. With the sinister but campy thrills of M3GAN imminent, which will catapult the haunted doll into the domain of modern tech, it’s high time we assessed the heights of haunted dolls across the cinematic medium.
Here are the 10 most haunted dolls in movies:
10. Mechanical doll, Deep Red
Like his entire oeuvre, Dario Argento’s Profondo rosso has a profoundly uneasy effect on its viewer—not due to supernatural characters or creatures, but in the stunning discordance of its construction. The killer and their kills are grounded in reality, but through slick and unsettling filmmaking, everything in Deep Red takes on a heightened creepy feeling. This is never more tangible than when the taut atmosphere before a kill is broken by an animated dummy speeding out of hiding. It giggles and careens towards our soon-to-be victim, not even stopping after he smashes it with a knife. The sudden intrusion of its babyish expression and infantile laughter when we know a brutal stalker lurks out of view is a great summation of how to utilize a doll for maximum fear.
9. Demonic clay figurines, Vampire Clay
There are a lot of rules to follow when sculpting, but number one should probably be “don’t use vampire clay.” You’d think it was a no-brainer, but after the kill count racked up in art academy J-horror Vampire Clay, I’m not so sure. The actual dolls made out of the clay look simplistic, elemental and debatably laughable, but witnessing the perverse, disgusting ways the plasticine morphs and consumes its victims is delightfully squelchy. While textually the dolls are some of the most haunted of any included on this list, they don’t do a lot of the actual killing in Vampire Clay. Instead, the clay spreads and infects other victims, substantially reducing our killer doll content. Don’t fret—one of the clay dolls does get melted in a gleefully outrageous way.
8. Fats, Magic
In between his more prestigious efforts of A Bridge Too Far and Gandhi, Richard Attenborough made a psychological thriller about a deeply unwell ventriloquist and the monstrous dummy (an extension of the puppeteer’s id) who starts commanding his whole life. Anthony Hopkins plays Corky, an insecure performer, who possesses a dummy (or does the dummy possess him?) called Fats—your bog-standard creepy-looking puppet boy. Fats, it so happens, is a dark influence on the susceptible Corky, convincing him to kill and himself even being capable of murder. Yes, there may be no supernatural element in the story, but nothing screams “haunting” more than the dark, uncontrollable recesses of the human mind. He may be an extension of the repressed and unexplainable corners of Corky’s consciousness, but it doesn’t stop Fats being one very creepy doll.
7. The Dummy, The Dummy
Acquired on release to be regularly broadcast as a “bumper” between horror films and anthologies on cable, this short film is cited as a foundational influence on the entire killer doll subgenre. It received 10 years of repeated airtime on HBO and USA Network (the longest a short film has ever been shown on cable), and is a core memory for late-night horror fanatics across the country. Its lo-fi (read: no-budget) style means it’s difficult to take seriously—especially seeing as it’s filled with shots of the dummy being comically raised into frame by some off-camera crew member—but the goal with any haunted doll film is not necessarily to terrify, but to plunge an audience into a realm of off-putting weirdness. This proto-haunted doll film certainly does that.