All 8 Leprechaun Horror Movies, Ranked
Photos via Lionsgate
If we’re being honest, not even the most devoted horror fan is likely to watch their way through the entire Leprechaun movie franchise on any given St. Patrick’s Day. There are, after all, no fewer than eight films in that franchise these days, after the most recent reboots in 2014 and 2018. It’s much more likely that the casual horror fan may simply seek out something with the Leprechaun title on it, and simply stop there. This begs the question: Which Leprechaun movie is best? Which ranks highest? Which really captures the anarchic spirit of this deeply silly series? Which of the classic films contains the best performance by the one and only Warwick Davis as the title character (whose real name is apparently “Lubdan,” by the way)?
Suffice to say, you’ll definitely want to be reaching for one of the classic Leprechaun entries this St. Patrick’s Day, the six films starring Davis that were released between 1993 and 2003. As an actor, he brought a warmth and humor to the role that subsequent attempts to reboot Leprechaun have been sorely lacking. Not all the Davis installments are necessarily all that entertaining, but that is never Davis’ fault—he always brings his best, like Robert Englund in a Nightmare on Elm Street entry. We’re here to point you toward the films where you get to see this guy shine his brightest.
Note: There’s no shortage of Leprechaun pretenders and rip-offs trying to confuse consumers into thinking they’re part of this series. As a result, don’t expect to see films like 2012’s Red Clover/Leprechaun’s Revenge on here.
Here is every Leprechaun movie ranked:
8. Leprechaun: Origins (2014)Director: Zach Lipovsky
The absolute nadir of the Leprechaun series came in the first VOD reboot produced by WWE Studios, and the first film made without Warwick Davis as the title character. Here, the part of the Leprechaun was played by WWE little person wrestler Dylan Postl, also known as Hornswoggle—seemingly a fitting choice, given that he’d literally been wrestling as a leprechaun character for years. However, the choice of casting really doesn’t matter in the slightest, given that the character has been reimagined here as a mute little monster without a single line of dialogue. It’s a phenomenally bad choice, reducing the beloved Leprechaun character into a simple stock movie monster in a tiny, inarticulate costume.
That’s par for the course when it comes to Origins, though, a film where it feels like everyone on the creative side must have been in over their heads. Plot is effectively nonexistent—a group of American tourists in the Irish countryside hole up in an abandoned cabin, where they’re attacked by the Leprechaun. That’s it. Visually, it’s extremely muddy and unfocused as well, poorly lit and haphazardly edited—the ugliest and darkest of all the Leprechaun movies without any doubt.
It all adds up to a borderline incomprehensible entry, without any humor, levity, entertainment factor, or anything else that one might cite as a redeeming quality. Whereas all the other entries in this series have at least something going in their favor, Origins is more like an unrelated zero-budget monster movie that just so happened to collide with the Leprechaun franchise. It’s so bad that you’ll struggle to even find a decent screenshot of it online.
7. Leprechaun Returns (2018)Director: Steven Kostanski
The most recent return to the Leprechaun franchise, from The Void director Steven Kostanski, is worlds better than the likes of Origins, and it actually has some decent things going for it. The makeup and effects work are actually pretty excellent—shockingly gory, in fact, for a film that premiered as a SYFY original. The kills are gnarly, and the film looks good despite its low budget, although its decision to bill itself as a direct sequel to the original 1993 film, ignoring all the sequels along the way, is just about the most 2018 move imaginable. I’m honestly shocked that they titled it Leprechaun Returns and didn’t just call it Leprechaun, like the 2018 Halloween sequel that somehow got away with being titled Halloween. As for the plot, there’s absolutely no experimentation here—this is solely a nostalgia trip, playing the hits, with a lead character who is meant to be the daughter of Jennifer Aniston’s character from the 1993 original.
What holds Leprechaun Returns back more than anything is a certain dearth of spirit from the original series—they at least make an attempt to balance blood and guts with the comedic roots of the films, but the jokes lean more toward pointlessly salacious than silly. The charm just isn’t there, and although new actor Linden Porco does his best, he doesn’t possess the presence of Warwick Davis. There are simply factors standing in the way of his performance—most notably the fact that he can’t seem to adjust to the teeth/jaw prosthetics of his costume, which makes his lines sound badly slurred, hurting the comprehensibility of the dialogue. For a villain who is best known for jokes and one-liners, that’s a difficult hurdle to overcome.
6. Leprechaun: Back 2 Tha Hood (2003)Director: Steven Ayromlooi
Here’s the thing about the two “Hood” installments in the original Leprechaun series—they sound in theory like they’d be far funnier than they actually end up being in practice. When someone who enjoys bad movies casually reads through the titles of the Leprechaun series, their eyes are inexorably drawn to the abject absurdity of Leprechaun in the Hood and especially Leprechaun: Back 2 tha Hood. Even next to Leprechaun 4: In Space, those titles just stand out for their semi-offensive humor value. And the humor of those titles and premise has made some Leprechaun fans incorrectly conclude that In the Hood and Back 2 tha Hood represent the most fun-bad of the Leprechaun sequels.
In reality, though, the series has really run out of gas by this point. The Leprechaun as a character is very much a creation of the 1990s, and the 2000s entries struggle to operate as either comedies or slashers, during a period when the slasher genre was also in the dumps. The one-liners are badly dated, having not evolved since the middle of the previous decade. The script is self-parodying in the extreme, and Warwick Davis’ screen time seems significantly reduced, as if even he is tired of going through the motions. Even the (problematic) urban setting had already been thoroughly explored a few years earlier, leaving Back 2 tha Hood as an entry without anything new to bring to the table. The only saving grace is Warwick Davis’ undeniable charisma. If you really want to see an urban leprechaun, you might as well just watch the entry that preceded this one.