The DUFF

The DUFF opens with a John Hughes reference. Protagonist and resident DUFF Bianca Piper (Mae Whitman) explains that times have changed since The Breakfast Club—now the jocks take antidepressants and the brains rule the world. Her observation immediately clues the audience in to the fact that Bianca is a student of Hughes; she correlates his stories to those she observes on a daily basis. Like Emma Stone’s Olive Penderghast in Easy A (a film to which The DUFF owes some major credit), Bianca is a movie character aware of movie characters. The interesting thing is that John Hughes would be proud to call Olive and Bianca his students. They’re funny, fully realized, self-aware women who hold their respective movies on their shoulders. While The DUFF isn’t nearly as smart as Easy A, it is still pretty damn charming. And at the center of the film’s charm is Mae Whitman.
Bianca is best friends with Casey and Jess (Bianca Santos and Skyler Samuels), two girls who everyone agrees are much hotter and less approachable than Bianca. When Bianca’s neighbor, mega-jock Wesley Rush (Robbie Amell), informs her that she is the DUFF—the Designated Ugly Fat Friend—of her trio of friends, Bianca is devastated. Wesley explains that the DUFF needn’t be ugly or fat; rather, a good DUFF serves as a gateway to his or her hotter friends—the person to go to for information on said hotties. Bianca then decides to unfriend Casey and Jess, turning to Wesley for advice on how to be more alluring to men and less of a DUFF. In exchange, she will help him pass chemistry, as his football scholarship hangs in the balance. As you can probably imagine, Wesley and Bianca initially hate one another, but soon something deeper begins to blossom, much to the chagrin of Wesley’s ex, Madison (Bella Thorne), who happens to be the most popular girl in school. Yes, the plot of The DUFF is relatively familiar and predictable.