Car Seat Headrest’s Teens of Denial Physical Release Derailed by, of All People, Ric Ocasek
Images via Matador RecordsThere’s a silly Car Seat Headrest/The Cars pun to be made here, but we’re in no mood to make it: the physical release of Car Seat Headrest’s much-anticipated Teens of Denial has been delayed to “sometime in July” because Ric Ocasek, lead singer of The Cars, took issue with a “Just What I Needed” sample Car Seat Headrest, aka Will Toledo, had used on the album. The song in question is being reworked, while thousands of Teens of Denial LPs and CDs have been recalled, and will be destroyed.
Fortunately, the album will still see its digital release next week, as planned. But this is still a bummer for those of us who 1) love us some Car Seat Headrest and 2) prefer our music in the form of an actual, physical object. Call us old-fashioned, or just trust Toledo when he says, “It does sound GREAT on vinyl.” But Toledo is maintaining a positive outlook on the situation, noting, “Most of my music only exists online anyways, so it makes sense that this album should start the same way.”
Matador Records, also, are maintaining a great sense of humor about the whole thing, joking around in their email announcement:
We were so inspired by Radiohead and Beyoncé’s recent success with surprise albums outta-the-blue that we decided to do the REVERSE with Car Seat Headrest’s hotly anticipated Teens Of Denial; instead, we’re pulling the LP and CD versions from circulation on the eve of the album’s release.
The label’s official legal statement explains how exactly this foul-up went down:
The release date for the Car Seat Headrest album Teens of Denial has been pushed back from May 20 to later in the summer due to a recall of physical product, so that a song containing elements of a composition by Ric Ocasek (of The Cars) could be removed and replaced. Matador had negotiated for a license in good faith months ago, only to be told last week that the publisher involved was not authorized to complete the license in the United States, and that Ric Ocasek preferred that his work not be included in the song. Matador regrets that it was not informed of this much earlier, and has made changes to respect Mr. Ocasek’s wishes.
And Toledo himself penned a lengthy, even-keeled letter on the situation, which he describes as “not a freak-out scenario”: