Cataldo: Gilded Oldies

I have to thank the Internet for my introduction to Cataldo a few years ago when I came across a song from their 2011 release, Prison Boxing. It was evident then that Eric Anderson (Cataldo’s sole member) is an expressive songwriter and that he can build moving songs with intricate and original arrangements. Prison Boxing continues to be a refreshing album to which I often return, but it’s Cataldo’s fourth album, Gilded Oldies, that brings me here.
?It took a few listens to pull out the differences between Cataldo’s past releases and what’s offered on Gilded Oldies. As I continue with it, I’ve become convinced that this isn’t a reinvention, but rather a more refined album. The elements that have come to define Cataldo’s vibe are there in full force with authority.
?For one, the music of Gilded Oldies as a whole is certainly more upbeat. The rhythms work together perfectly to create compelling grooves and beats that are almost always shifting as Cataldo moves away from its more folk leanings to a poppier edge that only occasionally reared its head before. Always one to have well-crafted arrangements, Anderson has really outdone himself here. His use of space is captivating as he allows each part to come to life and never be caught out of place. The result is a hook-filled album that will have you listening over and over.
?Then there are the lyrics. Anderson’s use of language is intelligent and charming. As you listen and imagine the scenes that he paints beautifully, it’s easy to find yourself a part of it and not just watching it unfold. While the subject matter is mostly comprised of the human conditions of love, loss and uncertainty, he gives them a unique freshness with his insight and colorful vocabulary. There are countless lines in every song that stick out (and many words I had to look up), but typing them here won’t do them the justice they deserve (and I certainly can’t type out every word he sings), so I’ll stick to a few of my favorites.