Catching Up With Bahamas’ Afie Jurvanen
Bahamas, the songwriting alter-ego of former Feist guitarist Afie Jurvanen, is set to release his follow-up to 2009’s Pink Strat on Feb. 7 with Barchords, which we’re streaming for the next week here. The beautifully recorded set of songs was recorded at Jurvanen’s own space and features a wide-open, natural reverb sound throughout.
Jurvanen intentionally limited the instruments and musicians on Barchords to keep the feel immediate and personal. Comprised of himself, Jason Tait on drums, Darcy Yates on bass and Carleigh Aikins and Felicity Williams on backup vocals, the album’s musicians embraced limitations instead of fighting them to create the no-frills, pretty tracks that make up the album.
Paste caught up with Jurvanen to talk about the new album, playing smaller venues and his upcoming tour.
Paste: What’s the idea behind the name of the album, Barchords?
Jurvanen: I think it’s a musical reference, a guitar reference. I spent a lot of years playing guitars in other people’s bands. My first record is called Pink Strat, and I wanted to honor that idea of me being a guitar player. I think barre chords are the simplest thing, and in my songwriting I try to go after the simplest thing. I played in other bands in big venues, so when I set out to play my own music again, we played in bars, driving my own car to the gigs. I wrote a lot of those songs on tour for my first record and it really was a return to my own songs and music and my own voice. I guess the overall idea is simplicity and something direct.
Paste: Do you prefer to play in smaller venues?
Jurvanen: I wouldn’t say I prefer it, but it’s so much more tangible. Any musician will tell you it’s easier to understand your relationship with your music and that your music has with fans. When you drive to a gig, you open your guitar case and play and you meet some people, sell some records, put your guitar away and leave. There’s a real human element when you take away all the production. That being said, of course playing in bigger venues is a great thrill and you want to get bigger, but for me it was a welcome break. I didn’t dread it at all, I really relished it and I still am.
Paste: Why was it important to track the album mostly live?