feeble little horse Defy the Sophomore Slump on Girl With Fish
The Pittsburgh-based quartet deliver a fearless album that blends delicate acoustics and seismic shoegaze

feeble little horse didn’t mean to make another album. Heyday was supposed to be their first and last, an homage to their friendship and a way to commemorate their college days. They were content with it, happy to have something to memorialize the giddy confusion and flimsy innocence that comes before entering the real world. The quartet didn’t necessarily want to stop making music together, but everyone knows that, sometimes, life and logistics get in the way. They figured the cassette tapes would serve as a testament to their friendship—a nostalgic artifact for them to show their kids to prove that, at one point, they were super cool. But then they got picked up by Saddle Creek last year.
Call it divine intervention or insane luck but, truth be told, they’re just once-in-a-lifetime kind of talented. It doesn’t take a label scout to see that. One listen to their latest release, Girl with Fish, proves their instant magnetism. They’re mesmerizing from the first track, “Freak,” which gives you a crash course on crushing on a college athlete, to the glitchy yet delicate “Slide,” which implies it’s going to take more than a band-aid to fix what happened during a fall.
Shattering the myth of “sophomore slump syndrome,” feeble little horse possess an uncanny bravery. They forge ahead with a fearlessness that is palpable even when the lyrics are sparse. You can feel it in the overdrive and the distortion, and the riffs that are so intense they register in your chest. Vocalist Lydia Slocum makes it most evident on tracks like “Healing,” in which she professes: “Paint still washes off / Even after it’s dried / It doesn’t matter / To the sink.” With her gossamer vocals floating over doting guitars, it’s a thinly veiled shot at reassurance—a promise that if you’re patient all the pain will go away.