Free Range Grow Up on Lost & Found
On the Chicago indie-folk band’s second album, singer-songwriter Sofia Jensen transitions out of adolescence and into adulthood, grapples with self-discovery and self-acceptance, and navigates loneliness while seeking connection.

A little over a year ago, Free Range’s Sofia Jensen hinted to Paste that their band’s second album would be more subdued than its first, 2023’s quietly brilliant Practice.
And it is. Except when it isn’t. When it is, it’s predictably terrific. But when it isn’t… it’s thrilling.
“It” is Lost & Found, the new full-length from the aforementioned Free Range, a Chicago band that has, for the past few years, stood apart from the city’s rockin’ youth movement (a movement fronted by bands like Friko, Lifeguard and Horsegirl) by turning down the volume and turning up the emotion. Practice, for example, brought together gentle, Waxahatchee-style twang, up-close, Adrianne Lenker-ish intimacy and a hushed impressionism that echoes one of Jensen’s avowed favorite musicians, Elliott Smith. Together, they added up to one of that year’s best albums.
In its first half, Lost & Found sounds like more of the same—a compliment, to be clear. The opening track, “Tilt,” is a pillow-soft lullaby built on a simple piano accompaniment and heightened by Macie Stewart’s beautiful violin work. “Big Star” is a road song or a love song (or both), countrified by its rubbery guitar accents, swaying rhythm and harmonica. “Service Light” is definitely a love song—to someone who feels just out of reach and, with its quick acoustic strum, to Smith’s whispery indie-pop. And the title track might be the prettiest moment on a pretty album, and it contains a stanza that feels central to Jensen’s perspective:
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