Shooter Jennings Talks Waylon, Mr. Belding and Record Store Day
Shooter Jennings prides himself on creating the unexpected. As the only son of Waylon Jennings and Jessi Colter, he’s dabbled in everything from southern rock ’n’ roll to outlaw country to traditional country and even psych-rock. Jennings joined his father’s former band, Waymore’s Outlaws, for a recent sold-out show in Baltimore. Their 40-minute set included everything from classic Waylon to classic Shooter to an enchanting cover of the Ramones’ “She Talks to Rainbows.” “You know, I haven’t sold out shows like this for years,” Jennings said backstage after the show. “We’d sell out one here or there, but we have no idea why that is happening now.” Jennings isn’t touring as much these days, which may have something to do with the spike in ticket sales. If you’re hoping to catch him live soon, it’s best not to dawdle.
Jennings took some time out of his schedule to talk with Paste about Nine Inch Nails, working with Dennis Haskins and his releases for Record Store Day on April 18.
Paste: Tell me a little about your work as a producer. What drew you to that?
Shooter Jennings: My dream was always to be on the production side of things. Even as a little kid when my dad would bring me to the studio, I always loved that. It was almost like when I first discovered Nine Inch Nails and when [the 1994 album] The Downward Spiral came out. That record was a sound collage of all kinds of the things Trent Reznor was using. I fell in love with that record. I studied that record and it taught me a lot.
Paste: You seem so comfortable on stage. I’m surprised you haven’t gravitated more towards that.
Jennings: I was in a few bands when I was young, and I’d seen so many shows with my dad that [it] was never exciting to me. What was exciting was creating the actual music. It’s an adventure, the first time you hear something that you had only just imagined. I heard David Gilmour of Pink Floyd talking about it. He said “I wish could have heard [the 1973 album] The Dark Side of the Moon for the first time just like the fans did. We never got to have that experience, because we created it from the ground up.” That is the kind of thing that excites me.
Paste: How did you begin producing in earnest?
Jennings: When I produced Ashes & Angels [by Fifth on the Floor in 2013] that was my first foray into doing somebody else’s record. It was an exciting jumping-off point, but I was also anxious get that first record out of the way. After that I worked with Jason Boland & the Stragglers on Dark and Dirty Mile. That was a great experience, although I didn’t fully produce the record. I was there for the construction of the music and left and [Boland] did the vocals and capped it all off. Essentially, what I did was go in and speak to the players, simplify certain songs and things. That is the thing I enjoy doing most, the composition side.