The Black Keys, Dogfish Head, others rock Firefly Music Festival
The inaugural Firefly Music Festival was apparently a smashing success, as evidenced by Tuesday’s announcement that the event will return for a 2013 sophomore installment. Although the official numbers have yet to be released, large crowds flocked to Dover, Delaware’s Speedway this past weekend, despite the inclement weather, in order to check out live sets from an eclectic range of nearly 50 bands, the majority of whom claimed during their sets that it was their first time in Delaware. It was everyone’s first time in Delaware.
Kicking off to rain and a daunting weekend forecast on Friday, acts such as the reunited Wallflowers started things off right with ear pleasing hits for the poncho-adorned hipster crowd, as well as for the inevitable bare and brave hippies who trotted about in a blissful fashion with hula hoops and outlandish décor.
A three-day outdoor festival attempting to mimic its predecessors, Firefly placed their own unique twist on the multi-stage musical experience by additionally featuring culinary setups with local fare, a beautiful vineyard, balloon rides, and a pop up brewery from craft beer legend Dogfish Head, which served their established favorites as well as a specially brewed Firefly Ale, a light amber colored English Pale Ale that clocks in at 5% ABV and 25 IBUS. Served straight from a cooler with proper tapping, the beer was unimaginably fresh and crisp, rivalling the classic 60 Minute and 90 Minute IPAs. Other popular Dogfish Head brews on hand for $8 a pour, were Midas Touch, Namaste, and Raison D’Etre, all of which tapped out by late Sunday.
A steady drizzle maintained its presence straight through day one’s main act, the incomparable Jack White. Spotty sound and glitches were a constant problem on Firefly’s main stage, rendering White’s opening numbers rough and loud. After a swift recovery, White played hits from The White Stripes, The Raconteurs, The Dead Weather, and of course his solo album. It soon became evident that if audience members were not perfectly centered for acts performing on the main “Firefly Stage,” enclosed by the main speakers, songs would sound muted and dismal.