The Killers Detail New Album, Pressure Machine

Las Vegas rockers The Killers have announced their seventh studio album Pressure Machine, coming Aug. 13 on Island Records. The band reunited with their Imploding the Mirage collaborators Shawn Everett and Jonathan Rado (Foxygen) to craft the follow-up to their acclaimed 2020 record.

After the pandemic derailed The Killers’ world tour in support of Imploding the Mirage, “everything came to this grinding halt,” Brandon Flowers recalls in a statement. “And it was the first time in a long time for me that I was faced with silence. And out of that silence this record began to bloom, full of songs that would have otherwise been too quiet and drowned out by the noise of typical Killers records.”

A press release describes the resulting Pressure Machine as “a view into the everyday realities of a small American town with a stark, tough beauty, and The Killers’ most restrained and resonant album yet,” continuing:

A quieter, character-study-driven album, Pressure Machine lives squarely in Flowers’ hometown of Nephi, Utah, a close-knit community of 5300 people with no traffic lights, a rubber plant, wheat fields, and the West Hills. Nephi is the place Flowers spent his formative years (10-16), saying “had it not been for advancements in the automotive industry, Nephi in the ‘90s could have been the 1950s.” The album’s songs are based on the memories and stories of people that impacted him growing up, interspersed with commentary from current Nephi locals about their town.

“We were discussing [Brandon] moving to Nephi as a kid and being stuck in the middle of nowhere,” says drummer Ronnie Vannucci Jr. “And during Covid-19, it started to feel like we were all in the middle of nowhere.” “I discovered this grief that I hadn’t dealt with,” says Flowers. “Many memories of my time in Nephi are tender. But the ones tied to fear or great sadness were emotionally charged. I’ve got more understanding now than when we started the band, and hopefully I was able to do justice to these stories and these lives in this little town that I grew up in.”

For the first time—yet perhaps unexpectedly, given the subject matter—Flowers had the album’s lyrics written before any recording had begun, telling coming-of-age tales about the American Southwest from the perspectives of both his younger self and the people he rubbed elbows with in his small town.