The Week in Music: Paste’s Favorite Songs, Albums, Performances and More
Let's review: Eleanor Friedberger, Born Ruffians, Courtney Barnett and more
Image: Chris Eckert
February is flying by (it is the shortest month of the year, after all). It’s been easy to miss all the great new music floating around. With Valentine’s Day (thankfully) over and done with, we’re now looking ahead to March, but we want to make sure you haven’t missed anything. Check out our weekly roundup, featuring this week’s best new music from Born Ruffians, Marlon Williams, Eleanor Friedberger (pictured above) and more, plus must-read features and our favorite studio sessions.
BEST ALBUMS
Marlon Williams: Make Way For Love
If anyone can straight up tell you “love is terrible,” while still making you crave love terribly, it’s Marlon Williams. His velvet-rich voice is one that’s part lounge smoothie, one part vintage crooner, and one part vampiric Roy Orbison filled to the brim with drama and inherent romance. This ensures that Make Way For Love is more than an album full of weepy torch-songs, but an ode to all the feelings and phases that are the makings of a relationship’s end. — Madison Desler
U.S. Girls: In a Poem Unlimited
On “Velvet For Sale,” though Meg Remy’s voice is petal-soft, surrounded by Donna Summer breathing and the unmistakable wah-wah of ‘70s exploitation-flick soundtracks, she’s got blood on her mind. “It’s all just fiction,” she sings sweetly, “But don’t forget the revenge.” “Mad As Hell,” with its dance-ready beat and Remy’s take on “Heart of Glass” vocals, is straight disco fantasy as she rails against political deception—an ingenious take on anti-war protest meets Studio 54. — Madison Desler
Born Ruffians: Uncle, Duke & The Chief
Described by the band as “going back to the deepest, most satisfying itch to scratch,” Uncle, Duke & The Chief is certainly a return. You can hear the downsizing on “Miss You,” stripped-down guitar and Steve Hamelin’s trusty kick-drum staying out of the way of the soaring chorus. All energy, energy, energy, “Fade To Black” wouldn’t be out of place on the first album. As Hamelin’s propulsive drumming combining with Luke Lalonde’s inherent, punk playfulness, they take things back to when their songs felt like being on a rollercoaster, zooming around corners and dropping, clattering down the wooden track into the exhilaration of the chorus. —Madison Desler
BEST SONGS
Dr. Dog: “Go Out Fighting”
Their forthcoming LP, Critical Equation, is the first album Dr. Dog have recorded under the direction of an outside producer, Gus Seyffert (Beck, Bedouine). “Go Out Fighting,” the second single released off the album, is said to be inspired by a collection of sources, from reggae music to the Hammond s6 organ. — Abdiel Vallejo-Lopez
Eleanor Friedberger: “In Between Stars”
During a month-long stay in Athens, Greece, Eleanor Friedberger learned of an ‘80s-themed nightclub called Rebound, a “dark and smoky goth disco” where, apparently, “everybody does the chicken dance.” “Rebound proved to be a revelation in terms of finding the sound and energy for my fourth album,” said the artist. — Abdiel Vallejo-Lopez