The 10 Best Moments from the Treasure Island Music Fest
Why this festival weekend on the Bay was unforgettable…
Photos by Adrian Spinelli
After a yearlong hiatus, the Bay Area’s Treasure Island Music Festival (TIMF) returned this past weekend, except this time it wasn’t on Treasure Island anymore. Despite maintaining the same name, the 11th rendition of TIMF went down in West Oakland’s Middle Harbor Shoreline Park. Along the edge of the Bay overlooking San Francisco and adjacent to the iconic Port of Oakland, 23,500 festival goers came out for a well-oiled affair.
And despite a new digs, one thing TIMF did maintain from it’s past is the alternating stage setup. When one set ends at The Town stage, the festival migrates over to The City stage and acts don’t overlap. This temporary and repeated exodus from one side of the grounds to the other is a hypnotic exercise to observe and it’s been the signature of TIMF since its inception. We had a helluva weekend in West Oakland, and these are positively the undisputed 10 best moments of the weekend (in chronological order).
1. Moses Sumney Goes Over His Settime To Play “Plastic”

TIMF relies on a smooth exchange from one artist’s set ending at one end of the festival to another’s beginning on the other. The clock struck 2:45pm—the posted time for L.A. singer/multi-instrumentalist Moses Sumney’s set to end—but he veered his head towards the side stage and mouthed “one more, right?” And it didn’t really matter what the answer was, because as Polo & Pan’s music could faintly be heard from The City Stage, an unfazed Sumney humbly stepped back to the mic on The Town stage and said “This song’s called ‘Plastic’” and just fucking dazzled everyone, again. When it ended, Sumney let out a devious chuckle, knowing he broke the rules, but damnit if it wasn’t worth it.
2. When Hiatus Kaiyote’s Sound Tech Turned Up The Volume on Nai Palm’s Vocals For “Laputa”

As Aussie band Hiatus Kaiyote’s set began, the generally powerful voice of singer Nai Palm felt tempered. Clad in all black, with sequin Kaiyote-emblazoned underwear over see-thru black tights that showed glimmers of her leg tattoos, it wasn’t until the sound tech wised up and jacked up the volume on Palm’s vocals for the band’s second song that it all came alive. And boy did it ever. As a unit, Hiatus Kaiyote are a dexterous and bombastic future funk & soul ensemble and when they played “Laputa,”, the audience was gifted with the most elegant and authoritative singing voice of the festival, from Nai Palm.
3. The Afternoon View Of The Bay For Laff Trax (Toro y Moi + Nosaj Thing)

I mean…just look at it!
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