The Chauvin Verdict Is a Massive Step Toward Accountability in America. Using It For Social Media Clout Is Gross
Photo by Chip Somodevilla/Getty
It can be hard to remember that behind the guilty verdict for Derek Chauvin handed down yesterday—a verdict that represents an important and (sadly) surprising step toward greater police accountability at a time when it’s sorely needed—there is a murdered man named George Floyd whose life won’t be restored or redeemed by a jury in Minneapolis. We know the horrible details of the case, of course, and we know Floyd’s name, but the relief we feel at the judgment has a way of clouding our vision of what it cost. Nancy Pelosi lost sight of this, with her unintentionally crass remark about Floyd’s “sacrifice”:
.@SpeakerPelosi speaking at presser with CBC: Thank you George Floyd for sacrificing your life for justice…Because of you and because of thousands, millions of people around the world who came out for justice, your name will always be synonymous for justice.
— Alex Moe (@AlexNBCNews) April 20, 2021
Pelosi may be right that a side effect of George Floyd’s murder will be a higher standard for police officers that results in fewer unnecessary deaths, but the way she phrased it—thanking him for his death—evoked such a negative reaction because it fundamentally misunderstands the nature of what happened that day. George Floyd wasn’t an activist; he wasn’t Martin Luther King Jr. or Bobby Sands; he didn’t sign up to die for a cause. His death was a completely avoidable tragedy, and to treat him as a martyr is ugly in ways that are tough to articulate but deeply felt. Even though she didn’t intend it this way, it seemed like she was saying that his death was worth it for the greater good.
And yet, if you’re generous to Pelosi, you can also argue that this is a forgivable blunder, if only because her heart is (arguably) in the right place. A few other reactions we saw on social media Tuesday were less forgivable, and far less respectful of George Floyd’s life, in the naked opportunism of their attempts to chase clout in the aftermath of the verdict. A tweet by the Las Vegas Raiders, which has still not been deleted, became the most notorious example:
— Las Vegas Raiders (@Raiders) April 20, 2021
It’s worth analyzing why this felt so offensive; on the surface, the intentions seem to be similar to Pelosi’s in that it’s a celebration of a verdict that is clearly worth celebrating. Look, closer, though, and it gets easier to understand why the first instinct of most readers—that this is, in fact, a gross display—was the correct reading.
First, there is the cinematic nature of the presentation. An all-black background, the words “I CAN BREATHE”—a play on Floyd’s desperate cries at the time of his death—and the drama of the date, which is used to indicate that we’ve just witnessed history. This is all very showy; designed to draw attention to whoever created it, rather than to Floyd or the verdict or anything more pertinent. It’s easy to imagine that the person or people who made this thought to themselves, in the moments before sending, “people are going to think this is really powerful.” But the worst part is the Raiders logo at the bottom—a dead giveaway of why this was done in the first place. It’s about the brand. Or more precisely, it’s about superficially associating that brand with social justice. There’s nothing wrong with that in the grand scheme, but here the association is made through a vacuous act—a Twitter post—that is trying to seek clout and prestige through the tragic death of a man who is entirely unrelated to an NFL team in Las Vegas.
Again, they have forgotten or ignored the fact that behind their ostentatious display of clout-chasing, a man has died. You can go deeper on this, and talk about how the NFL was virulently opposed to displays of social justice (like Colin Kaepernick’s knee) back when it was controversial, and how jumping into the game with both feet now represents something cynical rather than aspirational. You can point to the leeching nature of capitalism, which has the audacity to feign concern over these matters when it has created the circumstances in which racial and economic inequality thrive.
All of that is legitimate, but at bottom the most frustrating part of it all is how a meaningless symbol—the theatrical Twitter post—is used to virtue signal in service of a brand, and how all of this melodrama stands in for actual activism or even genuine human concern. The tackiness gives them away; it reveals that it was all about them.