White Privilege Abounds in Late-Night Television’s Response to Trump’s Victory

Many Americans tuned in to watch late-night television after the election, looking for some nuggets of humor to be mined from a state of depression, anxiety, and fear. I was more curious than anything to see what kind of comedy they could drum up at a time when nothing seemed to be very funny.
But looking at the current state of late-night talk shows, I’m disheartened to see a platform still very much dominated by white men, and unfortunately, these are the voices we’ll be hearing from each and every night in the coming years. They will be the ones making jokes about racism. They will be the ones trying to explain the feelings of those who will suffer under a Trump presidency. And sadly, many of these late-night hosts still fail to recognize or acknowledge their own white privilege.
On the Late Show the day after the election, for most of his 16-minute monologue, Colbert maintained a cheery disposition. If you were looking for a moment of somber reflection, there was none to be found. Every potentially serious comment Colbert could have made about the legitimate terror of a Donald Trump presidency was deflated by a weak punchline. “We finally have an answer to why bad things happen to good people,” he said. Could it be racism and sexism? No, said Colbert. It’s the electoral college. Cue laughter.
His tone-deaf act continued when he joked that when he feels “shaky,” he likes to put on kitten ears, and proceeded to put on said ears and prance around the stage. “Seconds ago I was sad,” he said, “but now, sexy kitty!” Who exactly is that joke for? Can you imagine Muslim-Americans who are uncertain of their place in America laughing at that joke? Are we supposed to find it funny that a white man can put away his sadness and fear in favor of kitten ears?
All this is not to say that humor has no place in television or in our lives. God knows we need something to laugh at during this dark time, and there is nothing wrong in seeking out entertainment to lighten our moods.
But late-night as an institution is not a form of escapist television. Late-night isn’t a sitcom, and it isn’t Gilmore Girls. When Jimmy Fallon said on the Tonight Show, “My job is to come out here every night and try make you laugh, take your mind off things for a while,” he is forgetting that late-night does not exist in a bubble. It is humorous commentary on the news, with a splash of pop culture. And when the news is dominated by a plague of racism, it is irresponsible to choose not to address it, especially if you have the privilege of speaking to millions of Americans every single night.
There is a way to do comedy right, and if you’re watching Full Frontal with Samantha Bee, that’s where you can find it. Make no mistake, it is not a coincidence that the best late night comedy is coming from a woman whose show boasts one of the most diverse writing staff in late-night history.
She made me laugh plenty of times during her tirade of righteous outrage, and part of that has to do with the fact that she openly acknowledged the racism and bigotry that exists in our country. “It’s pretty clear who ruined America,” she said, pulling no punches. “White people.” Her honesty and sincerity makes us feel like it’s okay to laugh at the silly jokes interspersed throughout the show, because humor tends to carry more weight when it’s accompanied with sincerity. We can see that with Late Night with Seth Meyers — the moment when Meyers teared up talking about what voting for Hillary meant for his mother made his comedy all the more powerful. We can see that also with Trevor Noah and the diverse set of Daily Show correspondents who spoke both humorously and emotionally about their anger and fear.
As for Colbert, Fallon, and the like, when they make silly jokes while tiptoeing around their own personal beliefs, we feel uncomfortable more than anything because we’re just not quite sure if their humor comes from a place of genuine empathy or understanding.
But forget about humor for a moment. What about guidance and inspiration? Late-night can be a vehicle for hope, and there were certainly some attempts at conveying messages of optimism and guidelines for the way forward.
On the subject of explaining Trump’s presidency to children, Colbert relayed an anecdote about how his showrunner Chris Licht (a white man) dealt with that very issue. One of Licht’s sons woke up to the news and burst into tears, the story goes. “This is the magic part,” Colbert says with great relish, making us all anticipate something heartwarming and inspirational. Instead, it turns out Licht told his son, “Don’t worry son, being president is not that big of a job.” The line was met largely with silence from the audience (save for one solitary “Yeah!”).