Why Jesse Hughes’ Statements on the Bataclan Theatre Shootings Aren’t Just Wrong, but Dangerous
Photo by Victor Moriyama/Getty
None of us can possibly imagine what it’s been like in Jesse Hughes’ head since the horrible events at the Bataclan Theatre in Paris last November. Hughes is the frontman for Eagles of Death Metal, and the pain and confusion caused by 89 of his fans being slaughtered in front of him is something that no human soul should have to bear, and something that the free world hopes and prays will never be repeated. That hope is exactly why Hughes’ recent comments—which got his band dropped from the French festivals Le Cabaret Vert and Rock en Seine—are dangerously problematic, and have no place in today’s international discourse about how best to handle religious extremists.
Jesse Hughes is not a pretender—he is a dyed-in-the-wool, absolutely original rock n’ roller that only America could produce. A living, breathing contradiction, Hughes unabashedly loves guns, Trump and Jesus with the same fervor he enjoys sex with porn stars, catchy guitar riffs and hoovering mountains of weapons-grade speed into his ever-hungry nostrils. Always an eccentric, Hughes’ statements that were once merely fantastic interview fodder for bored music journalists have taken on a new light since the Paris attacks—when Jesse Hughes speaks, the world takes note. And that is precisely why his statements to conservative webzine Taki’s Magazine are so dangerous.
In the interview with former Vice-editor-turned-conservative Gavin McInnes, Hughes blames the events of November 23rd on gun control, political correctness and fears of being labeled a racist. He says the victims “surrendered themselves to death” and lays the blame for the attack “right in the lap” of “liberal mentality” before reiterating his previous claims that the security at the Bataclan was in on the attacks—claims he apologized for and called “insane” back in March, when he blamed them on PTSD. As one survivor of the attacks pointed out in a response article, Hughes was on stage and therefore in a far more advantageous position to escape than the packed audience was, and saying the victims gave up and fell “like wheat in the wind—the way you would before a god,” is wildly inappropriate and hugely disrespectful to those who lost their lives that night.
Today, another survivor—a young Muslim man—expressed his hurt and disappointment in Hughes’ words, and related the story of a man who risked his life to get help others escape. He too, was a Muslim—as were others killed that night in the Bataclan.
After the entire free world rallied around Hughes, his band and the healing power of music, it’s disappointing—if somewhat understandable—to see his belief system take such a dark and questionable turn. Hughes is adamantly suggesting that the freedoms extended to a successful drug-snorting, gun-waving madman musician be kept from others simply because of their religion, and the Le Cabaret Vert and Rock en Seine festivals were right to drop him.
France is attempting to heal and change while strengthening its defenses against such attacks, and this type of divisive and hateful rhetoric has no place in that dialogue. Hughes and the Eagles of Death Metal returned to touring only a couple of months after the tragedy, and perhaps that was unwise. It would be a Herculean mental task for anyone to return to that life after such an event, much less a man who told Grantland last October that he does such high-grade crank that, “The only place you’re going to find the type of speed I like to do is at a gay bar at six in the morning. It’s the only place.”