Agent Carter: “The Iron Ceiling”

It has taken five episodes for Agent Carter to strip Hayley Atwell down to her undergarments. In another network’s hands, a moment like this might have felt exploitative; beyond cheap thrills, there might have been no good reason for the peepshow. But in ABC’s hands, the scene, which occurs roughly a third of the way into “The Iron Ceiling,” is respectful, even artful, in the way it illustrates gender division while also having a purpose within one of the overarching plots. Sousa has been onto Peggy for the last couple of weeks, but now he’s caught sight of her shoulder wounds and fully put two and two together. This is going to get ugly.
Incidentally, it’s also taken five episodes for Peggy to really strut her stuff for her misogynist SSR compatriots. Not that she hasn’t shown them up a few times already, but with “The Iron Ceiling,” Thompson gets to see Peggy in her full element; he, and the rest of the guys only know of Peggy’s wartime accomplishments on paper. Somehow, a file that’s fit to burst with the long list of her World War II experience doesn’t quite do her justice, though we can probably just chalk that up to sexism. Would Thompson and Dooley hold the same doubts about Peggy if she was a man? Probably not. So it takes a trip to Russia, a reunion with the Howling Commandos, and a series of firefights to change popular opinion on Peggy’s talents around the office. That’s the kind of world Agent Carter takes place in.
Unlike last week’s “The Blitzkrieg Button,” “The Iron Ceiling” is all about advancing the series’ narrative; a lot happens here, a lot and more, shaking up Agent Carter’s foundation—if only just—in the process. We’ve seen Dottie’s childhood training grounds, and all the whispers and murmurs about Stark’s involvement in Eastern European comings and goings seem to have a kernel of truth at their center. Is he being set up? Is he hiding more from Carter than just a propensity for harvesting superhero DNA? There’s something foul afoot about Stark, but neither Peggy nor Dooley buy the idea that he’s double dealing with enemies of the United States. As Shea Whigham tells us in his usual hangdog way, there are three sides to every story.