American Horror Story: “Welcome to Briarcliff” (Episode 2.01)

There’s nothing ever subtle about a Ryan Murphy show. Glee is a weekly tour de force of bombastic musical numbers and grand emotions. The New Normal practically hands viewers a pamphlet regarding its socio-political agenda. And the premiere of American Horror Story: Asylum wallowed in every possible horror movie trope and character archetype. The oversexed mental patient? Check. The crazed doctor performing experiments on humans? Check. Serial killer? Check.
But the first hour of American Horror Story: Asylum was a vast improvement over the first season of the series. When American Horror Story premiered last year, I found the pilot unintentionally hilarious. Between Dylan McDermott, who Murphy announced today is returning to the series, masturbating while crying and looking out a window and Connie Britton having sex with an unknown man in a rubber suit, the whole thing struck me as quite funny.
There was nothing funny about the premiere of American Horror Story: Asylum. The show is clearly out to horrify viewers, and it attacks that goal with a palpable delight. Jenna Dewan-Tatum and Adam Levine (being a better actor than I thought he would be) kicked off the hour as a honeymooning couple whose idea of romance is having sex in a decrepit former insane asylum. They’re the people in the horror movies who go into basement alone. Once Levine’s arm comes off, the action goes back to 1964 and the Briarcliff Asylum for the Criminally Insane.
The series was the subject of quite a bit of controversy when it entered itself into the miniseries category at the Emmy Awards. But it makes sense now. Much of the gang is all here, but they are in a new setting playing new roles. (Perhaps Dylan McDermott is off crying somewhere in one of Briarcliff’s rooms). Last season, Jessica Lange deliciously chewed the scenery as Constance Langdon and won an Emmy for her performance. Now she conjures up every bad memory anyone educated by nuns may have ever had as the severe Sister Jude, the matriarch of the Briarcliff Asylum. “Mental illness is the fashionable explanation for sin” in Sister Jude’s world.