Breaking Bad: “Madrigal” (Episode 5.02)

“If what we do, we do for good reasons, then we’ve got nothing to worry about. And what better reason than family?”
“Madrigal” ends similarly to last week’s premiere “Live Free or Die,” with a terrified Skyler being caressed by Walt as he tries to control her fear. There’s sincerity when he mumbles “it gets easier.” The closing scene paints a very clear picture of where Walter White is at. On the one hand, he’s fully accepted who he is and has even become comfortable with being a murderous criminal, yet, there is still a sense of denial with how he justifies his actions. I have no doubt that on some level, Walt still wants to provide for his family. But for Walt, providing for his family is now more about pride than a desire to be a good father. After all, if he truly wanted to just provide for his family, he could just cut his losses in the drug game and run the car wash, which would more than get them by—and with less danger. No, Walt is cooking for himself now. This is what makes the closing scene so scary. Anna Gunn does a great job continuing to portray a wife trapped in a hellish marriage gone wrong. The scene is creepy as Walt is almost forcing himself on her, kissing up and down her neck. But more telling is that Walt is trying to bring his family into his new world and justifying all of it as sacrifice for them. It’s his attempt to make all of what is going on seem normal and necessary. Considering what the premiere has shown us of Walt’s future, it makes it all the more terrifying when you factor in what his family may have to eventually face as a result of his actions.
Breaking Bad has always been great at meticulously laying down plot threads that are built upon later. Of course not every single plot development is planned out in advance. Creator Vince Gilligan has stated numerous times that each season is written as it goes along. But this is all the more reason that the writing is so impressive on this show. There is a real attention to detail, and if there is something that can be built upon, the writers go to great lengths to make it seamless with the rest of the show. This of course was seen with last season where Hector Salamanca, who was first introduced in Season 2, became one of the most important characters of the show with his backstory intertwining with Gustavo Fring’s.
Similarly, this week’s episode sees the show revisit Hank’s mention of Gus having ties to Madrigal, the German company that was buying parts for Los Pollos Hermanos laundry office. The massive scope of the DEA’s investigation into Madrigal shows us that Walt is making decisions that have a far greater impact than he might actually understand. The episode opens overseas with a top executive of the company committing suicide as the police arrive to talk to him about his connection to Gus. The current CEO is quick to deny that the company was ever involved with Gus and that the executive running their fast-food division was working on his own accord. After all, an innocent man does not kill himself. But then we are introduced to Lydia, the paranoid Madrigal executive who meets up with Mike and asks him to kill every single person that was on Gus’ payroll. The company’s involvement was beyond just one rogue employee, and they are scrambling to make sure any loose ends are tied up. The scenes with the DEA also cleared up a bit of confusion from last week. Hank did in fact look at the laptop before sending it into evidence, but it was heavily encrypted—a measure most assumed Gus would have taken.
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