If there’s one joke in Community that perfectly encompasses the show’s sense of humor it’s the snake in a can gag at the beginning of “The Science of Illusion.” Like the show’s characters, we’re all aware of the old snake in the can prank. I’ve seen other shows comment on this before, but the commentary is usually, “Let’s mention how dumb this prank is.” Community took a different route, which is instead actually infusing the joke with comedy by changing things while simultaneously recognizing the joke along with the audience. Offering a totally empty peanut can is funny, and the show doesn’t even end there, as Troy literally offers Pierce a snake in a peanut can only to be declined not because of the gag but due to other reasons entirely. It’s a nice little synecdoche for the entire show and its method of twisting tired cliches not just through acknowledgment like Family Guy but instead with an homage and a twist.
Stray Observations:
“Just reminding you to keep any April Fool’s pranks physically safe, politically balanced and racially accessible.”
“You’re more of a fun vampire, because you don’t suck blood … you just suck.”
-Prof. Chang wondering why the hell his class has become show-and-tell for the principal is pretty great. Reminds me that, oh yeah, he teaches an actual class.
“I’ve got moves I haven’t even seen before.”
“Tell that to what our equivalent of a judge is.”
“That African-American police chief Abed was playing was right.”
“Then why is there a photo on your facebook page of a cat wearing a necktie?”
“This investigation is going nowhere … you need a psychic.”
“If I have to hand you off to Shirley you’re going to enter a kitchen of pain.”
“Knock knock, who’s that? Cancer? Oh that’s good, I thought it was Britta.”
“Let’s never let Jeff divide us again.”
-Quite enjoyed Troy and Abed in the Morning. I’d watch that, no wonder it has such a large crowd.
This episode went in the buddy cop-comedy direction, with Annie and Shirley deputized to deal with possible high-stakes shenaniganery that may be afoot on account of April Fool’s Day. As with all good television and movie watchers, they understand the dynamics of a buddy cop picture, which is the reference the show’s riffing on here (and if it’s too difficult to see, then Abed can point this out for you). The thing is, because everyone including the show’s characters knows that the cool cop is always the rebel who plays by his or her own rules, both Shirley and Annie want to be that maverick. It’s an elegant way of going beyond merely referential comedy, as well as a lot of fun to watch.