Gotham: “Strike Force”
(Episode 2.04)

Every step forward Gotham took last year, it quickly followed with a backward leap. But things have been different in Season Two. The promises of a more serialized production have come true, paying dividends across the board, and the writers are finally taking some serious chances with their characters. After last week’s shocking death of Jerome who, until that point, had been advertised as a major player in Season Two’s “Rise of the Villains,” I hoped Gotham would use the momentum and hit the ground sprinting in episode four, starting a comfortable roll that would carry us to the winter break.
That’s not how things unfolded.
Last night’s “Strike Force” was a step back in every way for Gotham, and easily the worst entry of the second season. While all of the episodes this year have lacked fervor, a side effect of the show figuring out the quirks of its new storytelling structure, “Strike Force” was supremely boring. There were attempts at action but, in typical Gotham fashion, they were botched to the point of slapstick. There is simply nothing compelling about watching Victor Zsasz, who is a supposed master assassin capable of killing anyone and anything, stand up and calmly walk forward toward his enemy while unloading a clip. The thought process must be that he is unafraid, or even incapable, of death, but the result is pure drivel. It was also not a banner episode for the show’s writing which, scene to scene, could best be described as miserable. It’s difficult to watch actors with real talent be done little favor by poor dialogue. Few characters appear natural on Gotham week-to-week, and last night no one did. Everything in the episode felt false, rather than characters existing in their world. Lines were awkward, staging was unnatural, it was all a mess. I was excited for the inclusion of Michael Chiklis, a Golden Globe and Emmy award winner who, by mere inclusion, should raise the acting level of the entire show. But, even great actors can be made a fool by poor writing.