Netflix’s I Am Not Okay with This, Meet YouTube’s Impulse: You Have a Lot (Too Much?) in Common
Photo Courtesy of Netflix
Spoiler Note: If you don’t want to know anything about either series, go watch one and then come back—they are, in fact, the same! Otherwise, the reveals discussed below shouldn’t spoil your enjoyment of either.
Here is a story about a teenage girl: She is 16, maybe 17. White. Relatively new to a small, economically hard-up town in the American Northeast. Her harried single mom pulls doubles at the local diner. She loves Cool™ music and has an eye for style hipper than her years, but she also has a caustically bad attitude—a bad attitude that, coupled with an almost pathologically self-centered perspective on the world, keeps most would-be friends at arm’s length. In the aftermath of a violent act from a man close to her, she finds that she has developed, as a kind of defense mechanism, an equally violent kind of psychic power—a psychic power that may or may not be genetic, and may or may not have something to do with why her dad isn’t around, but absolutely is all tangled up in what it means to be a teenage girl.
Discovering these powers isn’t a gift for this girl; it is scary, isolating, and physically taxing. Thankfully, a sweet, curly-haired boy from school (also a kind of social outcast, though not because of a bad attitude), accidentally sees her powers in action. He enthusiastically steps up to become her confidant/cheerleader/sidekick, pressing her to work on honing her “gift” with the ultimate goal of turning it into a heroic superpower. Shortly thereafter, the girl’s only female friend—who’s really closer to a sister, and who later becomes central to a B-plot about queer identity—joins the curly-haired boy in supporting our superpowered heroine. Our girl isn’t convinced she could ever be a hero, not least because the trauma/grief that kicked her powers into high gear still weighs like a ten-ton weight on her soul, but for the sake of the few friends she has managed to make in this tiny, backwards town, she at least tries.
It doesn’t matter. the world doesn’t have time for her to recover enough to find out who she is for sure either way. New violence borne of wounded masculinity looms around one corner, while a shadowy male figure who’s been watching her since the beginning looms around another. Events come to a tense, dramatic head; finally, thanks to this girl’s psychic powers, the primary figure of wounded masculinity who had been threatening her all season long is suddenly, gruesomely dead. The girl runs, but before she can get away, the mystery man who’s been following her every move steps out from the shadows, stopping her in her tracks. He’s not afraid of the bloody destruction she left behind. In fact, he’s here at last to offer her something resembling answers.
End of Season 1. Cut to black.
If you’re someone who’s recently housed the short (7 half-hour episodes!) first season of Netflix’s newest supernatural teen dramedy, I Am Not Okay with This, this plot breakdown probably sounds super familiar. I mean, save for a few skipped Carrie and John Hughes references, and disregarding the entire existence of a little brother, that’s it—that’s the whole origin story of Sydney Novak (the It franchise’s Sophia Lillis), Not Okay’s psychically powered teen lead. Girl hates world; girl’s dad commits suicide; girl’s hate for the world explodes; girl’s world explodes. Literally. Because of grief, sure, and also because of feeling like an anger-filled freak who has no idea how to fit in around other humans. But mostly because of her new powers of telekinesis. Violent telekinesis.
The thing is, that plot breakdown isn’t for I Am Not Okay with This. It’s for YouTube Premium’s hour-long sci-fi drama, Impulse, which premiered in 2018, and which stars Maddie Hasson as Henrietta Coles, a too-cool-for-high-school new kid in town whose new powers of teleportation manifest as a violent defense mechanism when an awkward car date turns into sexual assault. (Read our pre-Season 2 interview with Hasson about Henry’s superpowers and how her series tackles the legacy of sexual assault/trauma here.)