Instead of Tripping Through Time, Russian Doll Season 2 Trips Over Itself
Photos Courtesy of Netflix
Russian Doll began as the perfect example of a miniseries. It uses every moment of its first season expertly without a wasted second, and in just eight episodes, the Natasha Lyonne-led series explored the inevitability of death and love, the strength it takes to be vulnerable, and how hard it can be to move on and forgive the sins of your parents. The conclusion of that season blew me away the first time I watched it, and has brought me to tears every single time since. Truth be told, I’m a closeted sap who relates too much to Nadia and her fear of allowing anyone in, and I absolutely love the content feeling of closure I get from the finale.
So ever since Netflix announced it was planning to move forward with a second season, I’ve been extremely wary. Of all the lovely shows the streaming giant cancels before they’ve had a chance to complete their stories (The OA, GLOW, etc.), why push forward with another season of Russian Doll and risk ruining the legacy of such a succinct and beautiful miniseries? As I fell deeper into the rabbit hole that is Season 2, unfortunately, this general question of “but, why?” never left me.
This isn’t to say Season 2 of Russian Doll is without its merits. Now that Nadia and Alan have escaped immortality, the death-cycle plot has been abandoned in exchange for a much wackier experiment of time and space. The sci-fi comedy is still fascinating and boundary-pushing, even if this time around it’s a little bit messier. And Lyonne’s dual roles as showrunner and star make Russian Doll career-defining work, but something’s certainly different here. Did a pandemic production change the scope of this follow-up? Was there a decision to move onward with a second season without fully fleshing out what that would look like? Whatever the case may be, the clear thoughtfulness that anchors Russian Doll’s first season is lacking here.