Alison Wright Talks The Americans and the Peril of Obliviousness
The Americans is a series that is merciless toward its characters, and wrenching on its viewers. Showrunner Joseph Weisberg and his talented bench of writers at FX lace these Cold War transplants with as much empathy as anxiety. You hurt when guest players have exhausted their invitation. Sometimes, when suitcases are involved, you hurt physically. The Americans doesn’t case you with storytelling-by-death sentences or trite Sherlockian plotting. It offers, week by week, a package whose depth cannot be strained—like the Jennings’ wigs; like Stan’s beer fridge; like Martha’s padded power suites.
Alison Wright plays Martha Hanson, an asset as prolific as the Jennings, who’ve tapped her. An F.B.I. clerk, she smuggles confidential files to them: names, locations, strategy. She gift wraps the sort of intelligence that, when tied tight with an American flag, seems invaluable. She is crucial in the thread of underground war against her country, on which The Americans focuses. And she is the sort of patriot that doesn’t need the jingoism. As it happens, love can conquer all, even perhaps America: her “husband” is a Soviet spy, who has nurtured her belief that he’s conducting a sort of internal investigation into a desire for children, for family.
Paste talked with Wright about her humanizing performance on The Americans, and the elegance and precision of lies.
Paste: This show is obsessed with details.
Wright: Love it. That’s what makes things so rich and fun. That’s what I like to watch when I watch TV—or movies. I like all of that stuff to be specific because it grounds it in a real place.
Paste: You mentioned in a Rolling Stone interview; that you bought era-appropriate condoms on eBay, just to have in the set’s bedroom nightstand. Do you like to fill in your character’s world with bits of the real world?
Wright: So, they’re very specific about the dates. I like to know what was on the TV that week, or what was on the charts, and just the sort of things that Martha would be exposed to. Or the awesome fondue set we’ve got in my kitchen. It’s never used, but I see it every day. I look through all my records by the record player, all my Pointer Sister albums, and that informs the smallest decision for me.
Paste: You’re interested in design, right?
Wright: Yes. It works out nicely for me. I enjoy getting to see what the designers and the decorators have done with these details. It’s lovely. With my fine arts background, it connects with my love of the visual and the aesthetic, which on our show happen to be really beautiful.
Paste: Still, you give Martha this attitude of someone who is an everyday citizen. She’s got this husband she loves, a good job, and, we’ll say, an above-average sex life. But she’s really quite tragic, and unlike the rest of the cast, she’s oblivious.
Wright: Yeah, tragic for us. She’s having a great time. Right now, things are a little more difficult for her. She is asking for the things that she wants, and whether that’s more responsibility at work or a child, she’s really asking for the things that she wants in her marriage. She’s not powerless.
I think that there’s something about her situation on some level that’s making her feel unsafe. She has this instinct to get a gun and learn how to use it, without any influence from Clark. She’s sensing on some level that she may have to learn how to protect herself.