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Paste Magazine: Your Guide to the Best Music, Movies & TV Shows
Signs of Life in Music, Film & Culture
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Music Features
COVER STORY | Destroyer: Stepping Out of Costume
By Matt Mitchell
April 11, 2025 | 9:00am
The Uncanny Discontent of Judas Priest’s
British Steel
By Devon Chodzin
April 10, 2025 | 11:30am
The Ophelias: The Best of What’s Next
By Matt Mitchell
April 10, 2025 | 10:00am
Will Johnson: Through the Clutter and the Chaos
By Anna Pichler
April 8, 2025 | 9:00am
Following Craig Finn's Trail of Curiosity
By Eric R. Danton
April 7, 2025 | 9:00am
Lily Seabird: The Best of What’s Next
By Anna Pichler
April 2, 2025 | 9:00am
The Second Version of SPELLLING
By Elise Soutar
April 1, 2025 | 9:00am
COVER STORY | Djo Faces the Music
By Matt Mitchell
March 31, 2025 | 9:00am
Wilco’s
A.M.
at 30: The Imperfect Genesis of a Signature Sound
By Miranda Wollen
March 30, 2025 | 9:00am
Deafheaven Find Joy in the Chaos
By Jeff Yerger
March 28, 2025 | 9:00am
COVER STORY | Black Country, New Road Get Into the Groove
By Matt Mitchell
March 26, 2025 | 11:00am
Disgust in Its Closing Moments: John Cale’s
Slow Dazzle
at 50
By Zara Hedderman
March 25, 2025 | 9:00am
Gallery: Japanese Breakfast at El Museo del Barrio
By Paste Staff
March 25, 2025 | 9:00am
Waiting For Judas: Bob Dylan’s
Bringing It All Back Home
at 60
By Matt Mitchell
March 23, 2025 | 9:00am
Can’t Stereotype My Thing: M.I.A.’s
Arular
Turns 20
By Daniel Bromfield
March 21, 2025 | 12:30pm
COVER STORY | The Everything of Perfume Genius
By Matt Mitchell
March 21, 2025 | 9:00am
Watch Jordana's Paste Session in New York
By Josh Jackson
March 19, 2025 | 1:00pm
How clipping. Hacked Life’s Glitching Contradictions
By Casey Epstein-Gross
March 19, 2025 | 10:30am
Watch Olivia Ellen Lloyd's Paste Session from the Jalopy Theatre in Brooklyn
By Brad Wagner
March 18, 2025 | 12:06pm
Who is This Enchantress? Seth MacFarlane’s Love Letter to Anne Murray
By Tony Le Calvez
March 18, 2025 | 11:25am
Gallery: Gary Clark Jr. at The Eastern
By Paste Staff
March 17, 2025 | 9:30am
Tour Diary: Perennial Takes the UK
By Chad Jewett
March 17, 2025 | 9:00am
30 Years Ago, Mad Season’s
Above
Offered Seattle a Needed Season of Hope
By Matt Melis
March 14, 2025 | 9:00am
30 Years Ago,
The Bends
Gave Radiohead a Second Life
By Gavyn Green
March 13, 2025 | 10:08am
Jeffrey Lewis Keeps Running From the Tiger
By Casey Epstein-Gross
March 13, 2025 | 9:00am
COVER STORY | Japanese Breakfast: A Quiet Life
By Matt Mitchell
March 12, 2025 | 10:15am
There Were Stars in Your Eyes: The So Young Records Story
By Steven Edelstone
March 11, 2025 | 12:03pm
Folkfest of the North, Boston: The Happiest Place on Earth
By Andy Crump
March 7, 2025 | 11:30am
The Ebb and Flow of LAKE
By Gavyn Green
March 7, 2025 | 10:00am
Decidedly Lady Gaga
By Matt Mitchell
March 7, 2025 | 9:00am
Miya Folick Looks For the Light
By Clare Martin
March 6, 2025 | 11:40am
Here's the Schedule for Ilegal Mezcal Presents the Paste Party at SXSW 2025
By Josh Jackson
March 5, 2025 | 5:13pm
New Colossus Festival 2025: 7 Acts We Can’t Wait to See
By Casey Epstein-Gross
March 3, 2025 | 1:45pm
Dutch Interior: The Best of What's Next
By Clare Martin
March 3, 2025 | 1:15pm
COVER STORY | Sam Fender Rises With the Sun
By Matt Mitchell
February 28, 2025 | 8:00am
Ilegal Mezcal Presents the Paste Party in Austin, March 12-14, Featuring 48 Awesome Bands
By Josh Jackson
February 27, 2025 | 12:43pm
Hell Ain’t Half Full: PJ Harvey’s
To Bring You My Love
at 30
By Elise Soutar
February 27, 2025 | 12:30pm
Deep Sea Diver Returns to the Surface
By Mike Hilleary
February 26, 2025 | 1:30pm
Roll with Me: Charli XCX’s Never-ending Love Affair with Cars
By Karly Quadros
February 26, 2025 | 11:54am
Cheekface: Political, Commentary
By Brendan Menapace
February 25, 2025 | 10:00am
Tears for Fears Lived to Tell the Tale
By Matt Mitchell
February 25, 2025 | 9:00am
Gallery: FINNEAS & Bad Suns at the Coca-Cola Roxy
By Paste Staff
February 24, 2025 | 9:45am
Michael Imperioli and ZOPA Find Momentum
By Eric R. Danton
February 24, 2025 | 9:00am
Bill Medley: Country Covers Delivered
Straight From the Heart
By Anna Pichler
February 21, 2025 | 9:00am
Youth Lagoon Opens the Portal
By Matt Mitchell
February 18, 2025 | 12:35pm
The In-Betweens of Horsegirl
By Ben Arthur
February 17, 2025 | 9:00am
Paste Ilegal Sessions: Watch Sasami in Los Angeles
By Josh Jackson
February 13, 2025 | 1:02pm
COVER STORY | Sharon Van Etten Strikes Up the Band
By Matt Mitchell
February 12, 2025 | 1:00pm
The Seductive Paradox of Morrissey: The Smiths’
Meat Is Murder
At 40
By Tiernan Cannon
February 11, 2025 | 7:00am
A-Go-Go: The Best of What’s Next
By Anna Pichler
February 10, 2025 | 9:01am
Shania Twain Tapped into Marketable '90s Feminism with
The Woman in Me
By Clare Martin
February 7, 2025 | 12:52pm
The Bird Calls: A Lifetime Spent on Melody Trail
By Anna Pichler
February 7, 2025 | 9:33am
Throwing Muses: A Homecoming Like You’ve Never Heard Before
By Casey Epstein-Gross
February 5, 2025 | 10:00am
Paste Ilegal Sessions: Watch Peel Dream Magazine in Los Angeles
By Josh Jackson
February 4, 2025 | 12:58pm
Marianne Faithfull’s Life Contained Rock Music’s Secret History
By Elise Soutar
February 4, 2025 | 9:00am
“Why Try to Change Me Now?”: Bob Dylan’s
Shadows in the Night
at 10
By Anna Pichler
February 3, 2025 | 9:00am
Grammy Awards 2025: See the Complete List of Winners
By Paste Staff
February 2, 2025 | 5:12pm
Gallery: Djo at Music Hall of Williamsburg
By Paste Staff
February 1, 2025 | 9:00am
2025 Grammy Awards: Predicting This Year's Winners
By Matt Mitchell
January 31, 2025 | 11:00am
Fust: The Best of What’s Next
By Matt Mitchell
January 30, 2025 | 9:00am
Where Did Van Morrison Go Wrong?
By Clare Martin
January 29, 2025 | 2:20pm
Gallery: Soccer Mommy & L'Rain at Variety Playhouse
By Paste Staff
January 27, 2025 | 12:10pm
Benjamin Booker, Beyond Recognition
By Matt Mitchell
January 24, 2025 | 9:00am
COVER STORY | Lambrini Girls Let Loose
By Clare Martin
January 23, 2025 | 1:30pm
Saying Goodbye to The Band
By Matt Mitchell
January 22, 2025 | 1:45pm
NIVA Unveils Its 2025 Live List
By Paste Staff
January 22, 2025 | 12:00pm
Paste Ilegal Sessions: Watch Zach Person in Atlanta
By Josh Jackson
January 22, 2025 | 11:55am
jasmine.4.t: The Best of What’s Next
By Matt Mitchell
January 21, 2025 | 9:00am
To Quote a Phrase: Bob Dylan’s
Blood on the Tracks
at 50
By Matt Mitchell
January 20, 2025 | 9:00am
NIVA Live List Finalists From 2024: Where Are They Now?
By Matt Mitchell
January 20, 2025 | 9:00am
The Sidekicks’
Runners in the Nerved World
is 10 Years Old. I Miss the Sidekicks So Much.
By Matt Mitchell
January 19, 2025 | 9:00am
Watch Dave Eggar & Bristol Lightning's Paste Session Recorded Live at Bristol Rhythm & Roots Reunion
By Brad Wagner
January 16, 2025 | 1:38pm
After 35 years of
Flood,
They Might Be Giants’ Best Album Keeps Its Head Above Water
By Jack Probst
January 16, 2025 | 11:00am
COVER STORY | Simply Jean Dawson
By Matt Mitchell
January 14, 2025 | 10:00am
How to Support Members of the Music Community Impacted by the Los Angeles Fires
By Matt Mitchell
January 13, 2025 | 9:00pm
New York I Love You, But You’re Bringing Me Down: The Effect of Money and Mythology on Brooklyn DIY
By Sam Small
January 13, 2025 | 10:00am
Bono: The Narcissistic, Rockin’ Mascot of a Brutal System
By Tiernan Cannon
January 10, 2025 | 10:30am
Annie DiRusso: The Best of What’s Next
By Casey Epstein-Gross
January 10, 2025 | 10:00am
Watch Hippies & Cowboys' Paste Session Recorded Live at Bristol Rhythm & Roots Reunion
By Brad Wagner
January 9, 2025 | 1:00pm
The 25 Best Punk Albums of 2024
By Ben Salmon and Paste Staff
January 9, 2025 | 12:00pm
On Their First Album in Six Years, Franz Ferdinand Find Renewal in Fear
By Alli Dempsey
January 8, 2025 | 9:00am
Bob Dylan’s 62 Greatest Songs of All Time, Ranked
By Matt Mitchell
January 6, 2025 | 9:00am
A Decade Half-Spent: Fust’s
Genevieve
By Matt Mitchell
January 3, 2025 | 10:00am
Paste Ilegal Sessions: Watch Skegss in Los Angeles
By Josh Jackson
January 2, 2025 | 2:37pm
A Decade Half-Spent: The Hellp's
Vol. 1
By Alli Dempsey
January 2, 2025 | 12:00pm
How to Soundtrack Your New Year's Eve Right
By Casey Epstein-Gross
December 31, 2024 | 1:30pm
A Decade Half-Spent: Pillow Queens'
In Waiting
By Clare Martin
December 31, 2024 | 11:07am
From Elvis Costello to The Flatlanders: Pub-Rock and Americana's Great Overlap
By Geoffrey Himes
December 31, 2024 | 9:00am
A Decade Half-Spent: AJJ’s
Good Luck Everybody
By Casey Epstein-Gross
December 30, 2024 | 10:04am
Have Yourself a Very Beach Boys Christmas
By Matt Mitchell
December 25, 2024 | 9:00am
How Nico’s
Desertshore
Captured the Abrasive Sound of My Womanhood
By Elise Soutar
December 23, 2024 | 11:00am
Karl Blau: Lessons in Luck and Hope
By Clare Martin
December 20, 2024 | 4:01pm
Athens Legends Come to Life in
Weirdo: The Story of Five Eight
By Josh Jackson
December 20, 2024 | 1:00pm
Gallery: Underoath & He Is Legend at Tabernacle
By Paste Staff
December 20, 2024 | 11:00am
Records of the Month Club: Tsunami, Miles Davis, and More
By Garrett Martin
December 19, 2024 | 12:48pm
The Curmudgeon: Loud Guitars vs. Smart Words
By Geoffrey Himes
December 19, 2024 | 11:30am
Tour Diary: Quivers
By Paste Staff
December 17, 2024 | 10:00am
COVER STORY: The Design of Dawn Richard
By Matt Mitchell
December 17, 2024 | 9:00am
The Pop Prophecy of Charli XCX’s
Sucker
By Sam Rosenberg
December 15, 2024 | 9:00am
Paste Ilegal Sessions: Watch Dawes in Los Angeles
By Josh Jackson
December 12, 2024 | 12:00pm
Davidsson and the Spectrum of Sorrow
By Clare Martin
December 12, 2024 | 11:29am
Fabiana Palladino: The Best of What’s Next
By Matt Mitchell
December 11, 2024 | 12:00pm
COVER STORY: Bryan Ferry, A Rare Bird
By Matt Mitchell
December 10, 2024 | 9:00am
The 100 Best Songs of 2024
By Paste Staff
December 9, 2024 | 9:00am
Watch Sam Bush's Paste Session Recorded Live at Bristol Rhythm & Roots Reunion
By Brad Wagner
December 6, 2024 | 2:59pm
Lauren Mayberry Reclaims the
Vicious Creature
By Grant Sharples
December 6, 2024 | 10:00am
Artist of the Year: Jack White
By Matt Mitchell
December 6, 2024 | 9:00am
Fazerdaze Walks Us Through Her New Album
Soft Power
Track by Track
By Clare Martin
December 5, 2024 | 12:30pm
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