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Signs of Life in Music, Film & Culture

Latest Music Movies TV Games Books Drink Video Daytrotter Newsletter

Music Features

COVER STORY | Faye Webster’s New Era is Just Another Thing By Matt Mitchell March 5, 2024 | 10:00am
The Curmudgeon: Sister’s Coming Home By Geoffrey Himes March 4, 2024 | 10:00am
Jason Isbell and the 400 Unit's 2024 Salt Shed Performance in Photos By Paste Staff March 2, 2024 | 11:30am
Dry Cleaning Retrace Their Steps By Matt Mitchell March 1, 2024 | 11:00am
Mannequin Pussy’s Divine Intervention By Devon Chodzin February 28, 2024 | 9:30am
Daily Dose: Water Damage, "Reel E" By Garrett Martin February 27, 2024 | 12:30pm
Boots Not Required: How Line Dancing Became the Internet’s New Favorite Hobby By Megan Wahn February 27, 2024 | 11:00am
Daily Dose: Vessel, "Game" By Garrett Martin February 27, 2024 | 10:45am
Real Estate Try Something New By Matt Mitchell February 27, 2024 | 10:00am
Inside Portland’s Post-Lockdown Guitar-Band Explosion By Daniel Bromfield February 26, 2024 | 11:00am
Music So Loud, Can’t Tell a Thing: Big Star’s Radio City at 50 By Ethan Beck February 26, 2024 | 10:00am
Wave Goodbye and Watch It Go: The Hotelier's Home, Like Noplace is There at 10 By Bryn Gelbart February 25, 2024 | 10:00am
Mitski's 2024 Beacon Theatre Performance in Photos By Paste Staff February 24, 2024 | 1:00pm
The Curmudgeon: Neil Young Empties the Vaults By Geoffrey Himes February 23, 2024 | 2:00pm
A Resounding Yet Controversial Success: Beck’s Morning Phase 10 Years Later By Miranda Wollen February 23, 2024 | 11:00am
COVER STORY | Hurray for the Riff Raff's American Pastoral of Radicalized Memory By Matt Mitchell February 23, 2024 | 10:00am
Daily Dose: Writhing Squares, "Barbarians" By Garrett Martin February 22, 2024 | 2:45pm
Announcing The Paste Magazine East Austin Block Party Presented by Ilegal Mezcal By Josh Jackson February 22, 2024 | 11:00am
Coco Break Free From Anonymity and Expectation By Grace Ann Natanawan February 22, 2024 | 10:00am
Brittany Howard's 2024 Webster Hall Performance in Photos By Paste Staff February 21, 2024 | 4:00pm
The Black Opry is Changing the Way We Think About Country Music By Olivia Abercrombie February 21, 2024 | 11:00am
The Music Industry Doesn’t Know What to Do With The Bobby Lees By Audra Heinrichs February 20, 2024 | 11:00am
This One Is Different Because It’s Us: The Smiths at 40 By Elise Soutar February 20, 2024 | 10:00am
Nailah Hunter, Heal Thyself By Robert Ham February 16, 2024 | 5:05pm
COVER STORY | Vince Staples and His Comedic Dystopia By Matt Mitchell February 16, 2024 | 12:00pm
COVER STORY | IDLES Remain In Light and In Love By Matt Mitchell February 15, 2024 | 10:00am
There’s No Survivors: Pavement’s Crooked Rain, Crooked Rain at 30 By Matt Mitchell February 14, 2024 | 11:00am
The Lostines Have Arrived By Matt Mitchell February 14, 2024 | 10:00am
Why Language Matters in K-Pop By Kayti Burt February 13, 2024 | 10:00am
Every Album of the Year Grammy Winner Ranked From Worst to Best By Matt Mitchell February 11, 2024 | 10:00am
I Hate Worrying About the Future: You're Gonna Miss It All at 10 By Grace Robins-Somerville February 10, 2024 | 12:00pm
You Can’t Kill Me: Mojo Nixon Has Left the Building By Holly Gleason February 9, 2024 | 12:00pm
The Curmudgeon: The Guitar As a Bridge Between Jazz and Rock By Geoffrey Himes February 9, 2024 | 11:00am
The Emergence of Hyper-Rock By David Feigelson February 9, 2024 | 10:00am
Chelsea Wolfe Embraces Her Inner Wisdom By Cat Woods February 8, 2024 | 11:00am
Is This It?: Making Music in the Year of the Girl By Erica Campbell February 8, 2024 | 10:00am
The Cosmic Reinvention of Declan McKenna By Olivia Abercrombie February 7, 2024 | 11:00am
Katy Kirby: The Best of What's Next By Matt Mitchell February 6, 2024 | 11:00am
COVER STORY | Brittany Howard’s Dreamworld By Grant Sharples February 5, 2024 | 10:00am
Joni Mitchell and the Gift of Watching Our Heroes Grow Older By Matt Mitchell February 5, 2024 | 9:00am
Grammy Awards 2024 Winners: Full List By Paste Staff February 5, 2024 | 12:00am
Restoring the Musical Legacy of a Rural Georgia Town By Kiki Dy February 4, 2024 | 11:00am
2024 Grammy Awards Predictions: Who Will and Who Should Win By Paste Staff February 2, 2024 | 10:00am
AI is Changing How We Think About Music By Annie Nickoloff February 1, 2024 | 11:00am
The Queer Normalcy of Green Day's Dookie 30 Years Later By Matt Mitchell February 1, 2024 | 10:00am
Cole Bennett Wants to Create a Cinematic Universe For Music By Alex Gonzalez January 31, 2024 | 10:00am
Meet Perry Shall, the Vintage T-Shirt Collector and Art School Dropout Who’s Nominated for a Grammy By Matt Mitchell January 30, 2024 | 10:00am
The Odd Couple: Taylor Swift and Joan Baez By Geoffrey Himes January 29, 2024 | 12:00pm
The Secrets Against Me! Left Us To Follow By Niko Stratis January 29, 2024 | 10:00am
Every Bob Dylan Album Ranked From Worst to Best By Matt Mitchell January 27, 2024 | 10:00am
Sarah Jarosz Embraces and Reflects on the Future By Mariel Fechik January 26, 2024 | 10:00am
15 Reissue Record Labels You Need To Know About in 2024 By Tiernan Cannon January 25, 2024 | 10:00am
NIVA Unveils Its 2024 Live List By Paste Staff January 24, 2024 | 10:00am
COVER STORY | Sleater-Kinney Ground Themselves in a Hope Untamed By Matt Mitchell January 23, 2024 | 10:00am
The Curmudgeon: Overlooked Albums of 2023 By Geoffrey Himes January 22, 2024 | 10:00am
Paste Session Los Angeles: Watch Des Rocs Presented by Ilegal Mezcal By Paste Staff January 19, 2024 | 11:15am
Composer John Medeski Talks The Curse, Oneohtrix Point Never and Nathan Fielder By Ignas Vieversys January 19, 2024 | 11:00am
PACKS Are Determined to Tread Their Own Path By Matty Pywell January 19, 2024 | 10:00am
Willi Carlisle: The Best of What's Next By Matt Mitchell January 17, 2024 | 12:00pm
NIVA Live List Finalists From 2023: Where Are They Now? By Matt Mitchell and Olivia Abercrombie January 17, 2024 | 10:00am
Shepard Fairey and Randall Poster Keep The Birdsong Project Going Strong with a New Art Print Portfolio By Josh Jackson January 16, 2024 | 10:13am
Paste Session Los Angeles: Watch Slow Hollows Presented by Ilegal Mezcal By Paste Staff January 12, 2024 | 2:27pm
The Curmudgeon: What If Robert Johnson Hadn’t Swallowed That Poison Whiskey? By Geoffrey Himes January 12, 2024 | 11:00am
Marika Hackman Keeps Her Horizon Close By Matt Mitchell January 12, 2024 | 10:00am
Helado Negro Dives In By Grant Sharples January 11, 2024 | 10:00am
Fueled by Horror Films and Pints, SPRINTS Make Music to Defy Society’s Expectations By Clare Martin January 9, 2024 | 10:00am
Watch Billy Pilgrim Perform Their "Obscure" Song that Became an A Cappella Hit By Josh Jackson January 8, 2024 | 4:16pm
The Radical and Conversational Euphoria of Free Range By Matt Mitchell January 8, 2024 | 10:00am
Paste Session Atlanta: Watch Ruby Velle & the Soulphonics Presented by Ilegal Mezcal By Paste Staff January 5, 2024 | 11:00am
The Curmudgeon: The CMAs and the Tricky Job of Balancing Quality and Sales By Geoffrey Himes January 5, 2024 | 10:00am
COVER STORY | Shapeshifting With PJ Harvey By Matt Mitchell January 4, 2024 | 9:00am
Sophie Ellis-Bextor Has Finally Gotten Her Due in America By Matt Mitchell January 2, 2024 | 10:00am
Alan Palomo and His Revivalist Rebellion By Olivia Abercrombie December 30, 2023 | 11:00am
Record Time: New & Notable Vinyl Releases (December 2023) By Robert Ham December 29, 2023 | 6:16pm
COVER STORY | Kevin Abstract Finds a New Lane By Matt Mitchell December 29, 2023 | 11:00am
Gregory Porter: "Let Me Mess with Perfection" By Geoffrey Himes December 28, 2023 | 5:40pm
Paste Sessions Atlanta: Watch Monsoon Presented by Ilegal Mezcal By Paste Staff December 27, 2023 | 2:51pm
Band on the Run is the Best Beatles Solo Album By Matt Mitchell December 26, 2023 | 10:00am
Daily Dose: Eliot Bronson, "From Rabun Gap" By Josh Jackson December 22, 2023 | 2:00pm
Shane MacGowan and the Stories We Leave Behind By Niko Stratis December 21, 2023 | 10:00am
Muireann Bradley Keeps These Old Blues Songs Alive By Robert Ham December 19, 2023 | 2:08pm
Sarah Tudzin is Indie Rock's Next Big Producer By Matt Mitchell December 19, 2023 | 10:00am
COVER STORY | Exploring the Vibrancy of L'Rain's Campy, Fragmented Cosmos By Matt Mitchell December 18, 2023 | 11:00am
Paste Session Los Angeles: Watch Chris Farren Presented by Ilegal Mezcal By Paste Staff December 15, 2023 | 2:15pm
The Immediate Family Spotlights Oft-Overlooked Session Musicians By Paste Staff December 14, 2023 | 1:12pm
HEALTH Embrace Their Inner Dark By Natalie Marlin December 14, 2023 | 11:00am
Best of What’s Next: Searows By Devon Chodzin December 13, 2023 | 11:00am
How 2023 Became the Year of the Surprise Song By Aliya Chaudhry December 13, 2023 | 10:00am
A Love Letter to Sabbath Bloody Sabbath By Saby Reyes-Kulkarni December 12, 2023 | 12:00pm
Inside the Immersive World of underscores By Natalie Marlin December 12, 2023 | 10:00am
Mitra Sumara Revives The Classic Pop Music of Pre-Revolution Iran By Robert Ham December 11, 2023 | 2:45pm
Chino Moreno and Shaun Lopez of ††† (Crosses) Talk Friendship, Music and Memories By Saby Reyes-Kulkarni December 11, 2023 | 12:00pm
COVER STORY | The Wild, Wonderful Year of Noah Kahan By Matt Mitchell December 11, 2023 | 11:00am
Playing Around After the Party: Because the Internet 10 Years Later By Justin A. Davis December 11, 2023 | 10:00am
Car Seat Headrest’s Will Toledo Takes Off the Mask By Matt Mitchell December 8, 2023 | 10:00am
Mo Troper Tries to Capture the Elusive Jon Brion By Robert Ham December 6, 2023 | 11:05am
Artist of the Year: Jason Isbell By Matt Mitchell December 6, 2023 | 11:00am
Jon Batiste: The American Symphony Interview By Tara Bennett December 5, 2023 | 10:00am
Joe Hisaishi Interview: Studio Ghibli's Legendary Composer on The Boy and the Heron By Autumn Wright December 4, 2023 | 10:00am
Dhani Harrison Re-Learns England By Robert Ham December 1, 2023 | 9:07pm
Jonathan Rado Unpacks the Wonders of His New Album, For Who the Bell Tolls For By Paste Staff December 1, 2023 | 1:00pm
Daily Dose: Polyglam, "Loss" By Paste Staff December 1, 2023 | 1:00pm
COVER STORY | The Mountain Goats: Harbingers of Mystery and Absence By Matt Mitchell December 1, 2023 | 10:00am
The Pogues' Shane MacGowan Is Dead at 65 By Josh Jackson November 30, 2023 | 1:11pm
Nina Nastasia Continues Her Musical Healing With Jolie Laide By Robert Ham November 29, 2023 | 5:48pm
The Hidden Promise of blink-182 By Niko Stratis November 29, 2023 | 10:00am
New Albums from Aging Rockers: The Curmudgeon on The Pretenders, Graham Parker and Barenaked Ladies By Geoffrey Himes November 27, 2023 | 9:58am
Bob Dylan's The Complete Budokan 1978 Fails to Repair Its Uneven Source Material By Sean Fennell November 25, 2023 | 11:00am

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Editors' Picks

Best New Albums: This Week's Records to Stream By Paste Staff August 22, 2025 | 2:00pm
Watch Dave Eggar & Bristol Lightning's Paste Session Recorded Live at Bristol Rhythm & Roots Reunion By Brad Wagner January 16, 2025 | 1:38pm

A.V. ClubSeptember film preview: Leonardo DiCaprio endures One Battle After Another
JEZEBELEven Justice Antonin Scalia Admitted Flag Burning Was Protected Free Speech
SPLINTER‘A Lot of People Are Saying Maybe We’d Like a Dictator’
ENDLESS MODEThis Week's New Games

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