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Paste Magazine: Your Guide to the Best Music, Movies & TV Shows
Signs of Life in Music, Film & Culture
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Music Features
Blood and Sacrifice: The Tragedy Behind Tori Amos’s Lost Vampire Album
By Josh Korngut
April 26, 2024 | 1:00pm
Austin Psych Fest 2024 Preview
By Olivia Abercrombie and Matt Mitchell
April 26, 2024 | 12:30pm
Watch Shannon & The Clams at the Paste Magazine East Austin Block Party Presented by Ilegal Mezcal
By Adi Har-Shemesh
April 26, 2024 | 11:33am
The Scrappy Triumphs of the Lost Dog Street Band
By Meredith Lawrence
April 26, 2024 | 11:00am
30 Years Ago, OutKast’s
Southernplayalisticadillacmuzik
Disrupted the Rap Game With Dirty South Flavor
By Alex Gonzalez
April 26, 2024 | 11:00am
Joyer Break Down Every Track From Their New Album
Night Songs
By Paste Staff
April 26, 2024 | 11:00am
A Roundup of Recent Jazz and R&B Reissues
By Geoffrey Himes
April 25, 2024 | 10:30am
Death Cab for Cutie and The Postal Service Play the Classics and Stir the Feels
By Josh Jackson
April 24, 2024 | 1:21pm
To Start Anew, ellis Went Back to Her Basics
By Devon Chodzin
April 24, 2024 | 10:00am
St. Vincent Crawls Through the Fire
By Matt Mitchell
April 24, 2024 | 9:00am
The Masochistic Acrobatics of Taylor Swift
By Grace Byron
April 23, 2024 | 11:00am
Prince’s Hand Warmers
By Lexi Kent-Monning
April 22, 2024 | 11:00am
Maggie Rogers at the House of Blues [Photos]
By Paste Staff
April 22, 2024 | 10:30am
T Bone Burnett Finds
The Other Side
By Geoffrey Himes
April 22, 2024 | 10:00am
Subscribe to Paste
By Josh Jackson
April 22, 2024 | 8:15am
The Unparalleled, Two-Year Rock-Stardom of Dickey Betts
By Matt Mitchell
April 21, 2024 | 10:00am
The Game Ain’t the Same: Nas’
Illmatic
at 30
By Alex Gonzalez
April 19, 2024 | 11:00am
Watch Alisa Amador at the Paste Magazine East Austin Block Party Presented by Ilegal Mezcal
By Adi Har-Shemesh
April 19, 2024 | 11:00am
Babehoven Search For Meaning in Multitudes
By Matt Mitchell
April 19, 2024 | 10:00am
Pulp’s
His ‘n’ Hers
Showed a New Side of Masculinity to Northern British Men
By Matty Pywell
April 18, 2024 | 11:00am
John Moreland Takes Stock on Surprise New Album
Visitor
By Eric R. Danton
April 18, 2024 | 10:00am
gglum: The Best of What’s Next
By Olivia Abercrombie
April 17, 2024 | 10:00am
Watch Beharie at the Paste Magazine East Austin Block Party Presented by Ilegal Mezcal
By Adi Har-Shemesh
April 16, 2024 | 2:00pm
Gateways: How Dolly Parton's
Jolene
Helped Me Through Queer Heartbreak
By David Opie
April 16, 2024 | 10:00am
The Curmudgeon: Nonesuch Records and Big Ears Festival
By Geoffrey Himes
April 16, 2024 | 9:00am
Blushing Doesn't Need Perfection
By Grace Ann Natanawan
April 15, 2024 | 11:00am
Jane Penny Makes a New Dream For Herself
By Matt Mitchell
April 15, 2024 | 10:00am
The 30 Greatest Talking Heads Songs Ranked
By Matt Mitchell
April 14, 2024 | 10:00am
We’ll Perfect Our Chemistry: Simon & Garfunkel, “The Boxer”
By Matt Mitchell
April 12, 2024 | 11:00am
Hole’s
Live Through This
Gave Us Femininity That Embraced Its Gnarly, Flawless Truths
By Olivia Abercrombie
April 12, 2024 | 9:00am
How the School of Song Became Indie Music Royalty’s Online Anti-MasterClass
By Andy Vasoyan
April 11, 2024 | 10:00am
How Grace Cummings Became
Ramona
By Olivia Abercrombie
April 10, 2024 | 10:00am
The Return of Electroclash
By David Feigelson and Sha Frasier
April 9, 2024 | 11:00am
Gateways: How Lankum’s
The Livelong Day
Helped Me Embrace My Irish Identity
By Tiernan Cannon
April 9, 2024 | 10:00am
Aaron West and the Roaring Twenties Find Communal Joy in Dark Spaces
By Matt Mitchell
April 9, 2024 | 10:00am
The Black Crowes at The Fox Theatre [Photos]
By Paste Staff
April 8, 2024 | 3:00pm
The Black Keys Get By With a Little Help From Their Friends
By Matt Mitchell
April 8, 2024 | 10:00am
Marcus King Gets in the Mood
By Matt Mitchell
April 8, 2024 | 9:00am
Amaarae at Buckhead Theatre [Photos]
By Paste Staff
April 6, 2024 | 1:00pm
Watch X Ambassadors at the Paste Magazine East Austin Block Party Presented by Ilegal Mezcal
By Adi Har-Shemesh
April 5, 2024 | 4:45pm
The Lessons of Bobby Darin and Dion: Is There Life After Early Stardom?
By Geoffrey Himes
April 5, 2024 | 10:00am
Bnny is Bound For Brighter Days
By Grace Ann Natanawan
April 4, 2024 | 10:00am
Smiling When Required: Mac DeMarco’s
Salad Days
at 10
By Daniel Bromfield
April 3, 2024 | 11:00am
Gary Clark Jr. and His Blues Guitar Visit the Wonder-Full Seventies
By Geoffrey Himes
April 1, 2024 | 10:00am
Watch Mei Semones at the Paste Magazine East Austin Block Party Presented by Ilegal Mezcal
By Adi Har-Shemesh
March 29, 2024 | 9:03pm
Peel Walk Us Through
Acid Star
Track By Track
By Paste Staff
March 29, 2024 | 12:01pm
Harmless Goes Deep Into the Lore of
Springs Eternal
By Paste Staff
March 29, 2024 | 12:00pm
Chastity Belt Bask In the Moment
By Grace Ann Natanawan
March 29, 2024 | 11:00am
The Last Dinner Party at Brooklyn Steel [Photos]
By Paste Staff
March 29, 2024 | 9:30am
COVER STORY | Waxahatchee Has More Stories to Tell
By Matt Mitchell
March 28, 2024 | 11:00am
The Everlasting Influence of Jerry Garcia and the Grateful Dead
By David Cotrone
March 28, 2024 | 11:00am
Watch our German Music Wrapup from SXSW
By Paste Staff
March 27, 2024 | 3:59pm
Rosali's Vibrant, Sobering Vulnerability
By Matt Mitchell
March 27, 2024 | 10:00am
Mitch Rowland at Newport Music Hall [Photos]
By Matt Mitchell
March 25, 2024 | 12:00pm
Thundercat On Losing a Soulmate and Finding His Voice
By Matt Mitchell
March 25, 2024 | 11:00am
Mei Semones: The Best of What's Next
By Grace Ann Natanawan
March 25, 2024 | 10:00am
Watch David Shaw at the Paste Magazine East Austin Block Party Presented by Ilegal Mezcal
By Brad Wagner
March 22, 2024 | 12:10pm
How
Nugu
K-Pop Group H1-KEY Found Slow-Burn Success
By Kayti Burt
March 21, 2024 | 10:00am
Omar and Cedric: If This Ever Gets Weird
Captures a Beautiful Friendship from Mars Volta and At the Drive-In's Iconic Duo
By Josh Jackson
March 20, 2024 | 3:17pm
Sam Evian Takes a
Plunge
By Matt Mitchell
March 20, 2024 | 10:00am
Julia Holter Pays Homage to Life Itself
By Grace Ann Natanawan
March 20, 2024 | 9:00am
The 40-Year Divinity of The Jesus and Mary Chain
By Elise Soutar
March 19, 2024 | 9:00am
Bring It Home: The War on Drugs’
Lost in the Dream
10 Years Later
By Dash Lewis
March 18, 2024 | 10:00am
COVER STORY | Adrianne Lenker Gets Closer
By Matt Mitchell
March 18, 2024 | 9:00am
Jenny Lewis at The Eastern [Photos]
By Paste Staff
March 15, 2024 | 11:00am
The Black Crowes Have Stopped Pretending
By Madelyn Dawson
March 15, 2024 | 9:00am
How 2014 Was the Worst Year in Pop Music of the Last Decade
By Andy Steiner
March 12, 2024 | 10:00am
For Joe Keery, Djo is No Longer a Best-Kept Secret
By Matt Mitchell
March 11, 2024 | 9:00am
Hurray for the Riff Raff and NNAMDÏ at Music Hall of Williamsburg [Photos]
By Paste Staff
March 9, 2024 | 10:30am
Bolis Pupul Walks Us Through His Debut Solo Album Track By Track
By Matt Mitchell
March 8, 2024 | 11:00am
Welcome to Kim Gordon’s Collective
By Grant Sharples
March 8, 2024 | 10:00am
Slow Hollows Reveals the Inspirations Behind Each Track on
Bullhead
By Matt Mitchell
March 8, 2024 | 9:00am
Tour Diary: Miss Grit On the Road With Nation of Language
By Paste Staff
March 7, 2024 | 10:00am
Wednesday, Hotline TNT and Lowertown at Brooklyn Steel 2024
By Paste Staff
March 6, 2024 | 11:00am
Gateways: How Jerry Reed's
East Bound and Down
Gave My Family a Generational Love Language
By Matt Mitchell
March 6, 2024 | 10:00am
The Paste Magazine East Austin Block Party Presented by Ilegal Mezcal: Full Schedule
By Josh Jackson
March 5, 2024 | 11:52am
COVER STORY | Faye Webster’s New Era is Just Another Thing
By Matt Mitchell
March 5, 2024 | 10:00am
The Curmudgeon: Sister’s Coming Home
By Geoffrey Himes
March 4, 2024 | 10:00am
Jason Isbell and the 400 Unit's 2024 Salt Shed Performance in Photos
By Paste Staff
March 2, 2024 | 11:30am
Dry Cleaning Retrace Their Steps
By Matt Mitchell
March 1, 2024 | 11:00am
Mannequin Pussy’s Divine Intervention
By Devon Chodzin
February 28, 2024 | 9:30am
Daily Dose: Water Damage, "Reel E"
By Garrett Martin
February 27, 2024 | 12:30pm
Boots Not Required: How Line Dancing Became the Internet’s New Favorite Hobby
By Megan Wahn
February 27, 2024 | 11:00am
Daily Dose: Vessel, "Game"
By Garrett Martin
February 27, 2024 | 10:45am
Real Estate Try Something New
By Matt Mitchell
February 27, 2024 | 10:00am
Inside Portland’s Post-Lockdown Guitar-Band Explosion
By Daniel Bromfield
February 26, 2024 | 11:00am
Music So Loud, Can’t Tell a Thing: Big Star’s
Radio City
at 50
By Ethan Beck
February 26, 2024 | 10:00am
Wave Goodbye and Watch It Go: The Hotelier's
Home, Like Noplace is There
at 10
By Bryn Gelbart
February 25, 2024 | 10:00am
Mitski's 2024 Beacon Theatre Performance in Photos
By Paste Staff
February 24, 2024 | 1:00pm
The Curmudgeon: Neil Young Empties the Vaults
By Geoffrey Himes
February 23, 2024 | 2:00pm
A Resounding Yet Controversial Success: Beck’s
Morning Phase
10 Years Later
By Miranda Wollen
February 23, 2024 | 11:00am
COVER STORY | Hurray for the Riff Raff's American Pastoral of Radicalized Memory
By Matt Mitchell
February 23, 2024 | 10:00am
Daily Dose: Writhing Squares, "Barbarians"
By Garrett Martin
February 22, 2024 | 2:45pm
Announcing The Paste Magazine East Austin Block Party Presented by Ilegal Mezcal
By Josh Jackson
February 22, 2024 | 11:00am
Coco Break Free From Anonymity and Expectation
By Grace Ann Natanawan
February 22, 2024 | 10:00am
Brittany Howard's 2024 Webster Hall Performance in Photos
By Paste Staff
February 21, 2024 | 4:00pm
The Black Opry is Changing the Way We Think About Country Music
By Olivia Abercrombie
February 21, 2024 | 11:00am
The Music Industry Doesn’t Know What to Do With The Bobby Lees
By Audra Heinrichs
February 20, 2024 | 11:00am
This One Is Different Because It’s Us:
The Smiths
at 40
By Elise Soutar
February 20, 2024 | 10:00am
Nailah Hunter, Heal Thyself
By Robert Ham
February 16, 2024 | 5:05pm
COVER STORY | Vince Staples and His Comedic Dystopia
By Matt Mitchell
February 16, 2024 | 12:00pm
COVER STORY | IDLES Remain In Light and In Love
By Matt Mitchell
February 15, 2024 | 10:00am
There’s No Survivors: Pavement’s
Crooked Rain, Crooked Rain
at 30
By Matt Mitchell
February 14, 2024 | 11:00am
The Lostines Have Arrived
By Matt Mitchell
February 14, 2024 | 10:00am
Why Language Matters in K-Pop
By Kayti Burt
February 13, 2024 | 10:00am
Every Album of the Year Grammy Winner Ranked From Worst to Best
By Matt Mitchell
February 11, 2024 | 10:00am
I Hate Worrying About the Future:
You're Gonna Miss It All
at 10
By Grace Robins-Somerville
February 10, 2024 | 12:00pm
You Can’t Kill Me: Mojo Nixon Has Left the Building
By Holly Gleason
February 9, 2024 | 12:00pm
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