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Paste Magazine: Your Guide to the Best Music, Movies & TV Shows
Signs of Life in Music, Film & Culture
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Music Features
You Can’t Kill Me: Mojo Nixon Has Left the Building
By Holly Gleason
February 9, 2024 | 12:00pm
The Curmudgeon: The Guitar As a Bridge Between Jazz and Rock
By Geoffrey Himes
February 9, 2024 | 11:00am
The Emergence of Hyper-Rock
By David Feigelson
February 9, 2024 | 10:00am
Chelsea Wolfe Embraces Her Inner Wisdom
By Cat Woods
February 8, 2024 | 11:00am
Is This It?: Making Music in the Year of the Girl
By Erica Campbell
February 8, 2024 | 10:00am
The Cosmic Reinvention of Declan McKenna
By Olivia Abercrombie
February 7, 2024 | 11:00am
Katy Kirby: The Best of What's Next
By Matt Mitchell
February 6, 2024 | 11:00am
COVER STORY | Brittany Howard’s Dreamworld
By Grant Sharples
February 5, 2024 | 10:00am
Joni Mitchell and the Gift of Watching Our Heroes Grow Older
By Matt Mitchell
February 5, 2024 | 9:00am
Grammy Awards 2024 Winners: Full List
By Paste Staff
February 5, 2024 | 12:00am
Restoring the Musical Legacy of a Rural Georgia Town
By Kiki Dy
February 4, 2024 | 11:00am
2024 Grammy Awards Predictions: Who Will and Who Should Win
By Paste Staff
February 2, 2024 | 10:00am
AI is Changing How We Think About Music
By Annie Nickoloff
February 1, 2024 | 11:00am
The Queer Normalcy of Green Day's
Dookie
30 Years Later
By Matt Mitchell
February 1, 2024 | 10:00am
Cole Bennett Wants to Create a Cinematic Universe For Music
By Alex Gonzalez
January 31, 2024 | 10:00am
Meet Perry Shall, the Vintage T-Shirt Collector and Art School Dropout Who’s Nominated for a Grammy
By Matt Mitchell
January 30, 2024 | 10:00am
The Odd Couple: Taylor Swift and Joan Baez
By Geoffrey Himes
January 29, 2024 | 12:00pm
The Secrets Against Me! Left Us To Follow
By Niko Stratis
January 29, 2024 | 10:00am
Every Bob Dylan Album Ranked From Worst to Best
By Matt Mitchell
January 27, 2024 | 10:00am
Sarah Jarosz Embraces and Reflects on the Future
By Mariel Fechik
January 26, 2024 | 10:00am
15 Reissue Record Labels You Need To Know About in 2024
By Tiernan Cannon
January 25, 2024 | 10:00am
NIVA Unveils Its 2024 Live List
By Paste Staff
January 24, 2024 | 10:00am
COVER STORY | Sleater-Kinney Ground Themselves in a Hope Untamed
By Matt Mitchell
January 23, 2024 | 10:00am
The Curmudgeon: Overlooked Albums of 2023
By Geoffrey Himes
January 22, 2024 | 10:00am
Paste Session Los Angeles: Watch Des Rocs Presented by Ilegal Mezcal
By Paste Staff
January 19, 2024 | 11:15am
Composer John Medeski Talks
The Curse
, Oneohtrix Point Never and Nathan Fielder
By Ignas Vieversys
January 19, 2024 | 11:00am
PACKS Are Determined to Tread Their Own Path
By Matty Pywell
January 19, 2024 | 10:00am
Willi Carlisle: The Best of What's Next
By Matt Mitchell
January 17, 2024 | 12:00pm
NIVA Live List Finalists From 2023: Where Are They Now?
By Matt Mitchell and Olivia Abercrombie
January 17, 2024 | 10:00am
Shepard Fairey and Randall Poster Keep The Birdsong Project Going Strong with a New Art Print Portfolio
By Josh Jackson
January 16, 2024 | 10:13am
Paste Session Los Angeles: Watch Slow Hollows Presented by Ilegal Mezcal
By Paste Staff
January 12, 2024 | 2:27pm
The Curmudgeon: What If Robert Johnson Hadn’t Swallowed That Poison Whiskey?
By Geoffrey Himes
January 12, 2024 | 11:00am
Marika Hackman Keeps Her Horizon Close
By Matt Mitchell
January 12, 2024 | 10:00am
Helado Negro Dives In
By Grant Sharples
January 11, 2024 | 10:00am
Fueled by Horror Films and Pints, SPRINTS Make Music to Defy Society’s Expectations
By Clare Martin
January 9, 2024 | 10:00am
Watch Billy Pilgrim Perform Their "Obscure" Song that Became an A Cappella Hit
By Josh Jackson
January 8, 2024 | 4:16pm
The Radical and Conversational Euphoria of Free Range
By Matt Mitchell
January 8, 2024 | 10:00am
Paste Session Atlanta: Watch Ruby Velle & the Soulphonics Presented by Ilegal Mezcal
By Paste Staff
January 5, 2024 | 11:00am
The Curmudgeon: The CMAs and the Tricky Job of Balancing Quality and Sales
By Geoffrey Himes
January 5, 2024 | 10:00am
COVER STORY | Shapeshifting With PJ Harvey
By Matt Mitchell
January 4, 2024 | 9:00am
Sophie Ellis-Bextor Has Finally Gotten Her Due in America
By Matt Mitchell
January 2, 2024 | 10:00am
Alan Palomo and His Revivalist Rebellion
By Olivia Abercrombie
December 30, 2023 | 11:00am
Record Time: New & Notable Vinyl Releases (December 2023)
By Robert Ham
December 29, 2023 | 6:16pm
COVER STORY | Kevin Abstract Finds a New Lane
By Matt Mitchell
December 29, 2023 | 11:00am
Gregory Porter: "Let Me Mess with Perfection"
By Geoffrey Himes
December 28, 2023 | 5:40pm
Paste Sessions Atlanta: Watch Monsoon Presented by Ilegal Mezcal
By Paste Staff
December 27, 2023 | 2:51pm
Band on the Run
is the Best Beatles Solo Album
By Matt Mitchell
December 26, 2023 | 10:00am
Daily Dose: Eliot Bronson, "From Rabun Gap"
By Josh Jackson
December 22, 2023 | 2:00pm
Shane MacGowan and the Stories We Leave Behind
By Niko Stratis
December 21, 2023 | 10:00am
Muireann Bradley Keeps These Old Blues Songs Alive
By Robert Ham
December 19, 2023 | 2:08pm
Sarah Tudzin is Indie Rock's Next Big Producer
By Matt Mitchell
December 19, 2023 | 10:00am
COVER STORY | Exploring the Vibrancy of L'Rain's Campy, Fragmented Cosmos
By Matt Mitchell
December 18, 2023 | 11:00am
Paste Session Los Angeles: Watch Chris Farren Presented by Ilegal Mezcal
By Paste Staff
December 15, 2023 | 2:15pm
The Immediate Family
Spotlights Oft-Overlooked Session Musicians
By Paste Staff
December 14, 2023 | 1:12pm
HEALTH Embrace Their Inner Dark
By Natalie Marlin
December 14, 2023 | 11:00am
Best of What’s Next: Searows
By Devon Chodzin
December 13, 2023 | 11:00am
How 2023 Became the Year of the Surprise Song
By Aliya Chaudhry
December 13, 2023 | 10:00am
A Love Letter to
Sabbath Bloody Sabbath
By Saby Reyes-Kulkarni
December 12, 2023 | 12:00pm
Inside the Immersive World of underscores
By Natalie Marlin
December 12, 2023 | 10:00am
Mitra Sumara Revives The Classic Pop Music of Pre-Revolution Iran
By Robert Ham
December 11, 2023 | 2:45pm
Chino Moreno and Shaun Lopez of ††† (Crosses) Talk Friendship, Music and Memories
By Saby Reyes-Kulkarni
December 11, 2023 | 12:00pm
COVER STORY | The Wild, Wonderful Year of Noah Kahan
By Matt Mitchell
December 11, 2023 | 11:00am
Playing Around After the Party:
Because the Internet
10 Years Later
By Justin A. Davis
December 11, 2023 | 10:00am
Car Seat Headrest’s Will Toledo Takes Off the Mask
By Matt Mitchell
December 8, 2023 | 10:00am
Mo Troper Tries to Capture the Elusive Jon Brion
By Robert Ham
December 6, 2023 | 11:05am
Artist of the Year: Jason Isbell
By Matt Mitchell
December 6, 2023 | 11:00am
Jon Batiste: The
American Symphony
Interview
By Tara Bennett
December 5, 2023 | 10:00am
Joe Hisaishi Interview: Studio Ghibli's Legendary Composer on
The Boy and the Heron
By Autumn Wright
December 4, 2023 | 10:00am
Dhani Harrison Re-Learns England
By Robert Ham
December 1, 2023 | 9:07pm
Jonathan Rado Unpacks the Wonders of His New Album,
For Who the Bell Tolls For
By Paste Staff
December 1, 2023 | 1:00pm
Daily Dose: Polyglam, "Loss"
By Paste Staff
December 1, 2023 | 1:00pm
COVER STORY | The Mountain Goats: Harbingers of Mystery and Absence
By Matt Mitchell
December 1, 2023 | 10:00am
The Pogues' Shane MacGowan Is Dead at 65
By Josh Jackson
November 30, 2023 | 1:11pm
Nina Nastasia Continues Her Musical Healing With Jolie Laide
By Robert Ham
November 29, 2023 | 5:48pm
The Hidden Promise of blink-182
By Niko Stratis
November 29, 2023 | 10:00am
New Albums from Aging Rockers: The Curmudgeon on The Pretenders, Graham Parker and Barenaked Ladies
By Geoffrey Himes
November 27, 2023 | 9:58am
Bob Dylan's
The Complete Budokan 1978
Fails to Repair Its Uneven Source Material
By Sean Fennell
November 25, 2023 | 11:00am
Paste Session Atlanta: Watch Gibson Wilbanks Presented by Ilegal Mezcal
By Paste Staff
November 24, 2023 | 12:00pm
The Greatest One-Album Wonders of All Time
By Paste Staff
November 24, 2023 | 12:00pm
PJ Harvey’s Return to the U.S. Celebrates
I Inside The Old Year Dying
and the Poetry That Inspired It
By Madelyn Dawson
November 24, 2023 | 10:00am
Record Time: New and Notable Vinyl Releases (RSD Black Friday Edition)
By Robert Ham
November 23, 2023 | 8:00am
It’s So Much Better With Two: 50 Years of Hall & Oates’
Abandoned Luncheonette
By Sean Fennell
November 22, 2023 | 11:00am
War and 50 Years of
The World Is a Ghetto
By Matt Mitchell
November 22, 2023 | 10:30am
Font Remain True Without Relinquishing Control
By Olivia Abercrombie
November 21, 2023 | 10:00am
The 2023 Holiday Gift Guide for Music Lovers
By Paste Staff
November 20, 2023 | 1:00pm
When We Were Young Festival: Nostalgia Sells, But at What Cost?
By Aliya Chaudhry
November 20, 2023 | 11:00am
COVER STORY | IAN SWEET Holds On to Herself
By Matt Mitchell
November 20, 2023 | 10:00am
Hotel, Motel, Neil Hamburger
By Robert Ham
November 17, 2023 | 8:38pm
Daily Dose: Lindsey Lomis, "Handle With Care"
By Robert Ham
November 17, 2023 | 12:18pm
Paste Session Atlanta: Watch Rose Hotel Presented by Ilegal Mezcal
By Paste Staff
November 17, 2023 | 11:00am
The Book of Cat Power
By Matt Mitchell
November 17, 2023 | 10:00am
Low Cut Connie's Adam Weiner: Flipping the Switch
By Geoffrey Himes
November 16, 2023 | 1:00pm
Big Time Rush Are Still the Underdogs
By Matt Mitchell
November 16, 2023 | 10:00am
The 25 Greatest Artists Who Only Released 2 Albums
By Paste Staff
November 15, 2023 | 12:52pm
Daily Dose: Clementine Was Right, "There Are No More Almond Trees"
By Paste Staff
November 14, 2023 | 2:00pm
Kevin Drew Makes Space For Hope on
Aging
By Madelyn Dawson
November 14, 2023 | 10:00am
Friko's World Inside a Song
By Matt Mitchell
November 14, 2023 | 9:00am
Vince Clarke: Reluctant Solo Artist
By Robert Ham
November 13, 2023 | 4:16pm
Daily Dose: Strawberry Guy, "Mrs. Magic (Strings Version)"
By Paste Staff
November 13, 2023 | 1:00pm
The 100 Greatest Cover Songs of All Time
By Matt Mitchell and Paste Staff
November 13, 2023 | 12:00pm
COVER STORY | The Cosmic Devotion of Jamila Woods
By Matt Mitchell
November 13, 2023 | 11:00am
The Uncountable Triumphs of Daneshevskaya
By Andy Steiner
November 13, 2023 | 10:00am
Daily Dose: Free Range, "The Moon"
By Paste Staff
November 11, 2023 | 2:30pm
Daily Dose: Marci, "Stop"
By Paste Staff
November 10, 2023 | 2:30pm
2024 Grammy Nominations: Full List Revealed
By Paste Staff
November 10, 2023 | 12:40pm
Greg Dulli Looks Back On His Days As a Twilight Singer
By Robert Ham
November 10, 2023 | 10:00am
Daily Dose: Hurray for the Riff Raff, "Alibi"
By Paste Staff
November 9, 2023 | 1:30pm
Beirut's Zach Condon Escapes Himself
By Sean Fennell
November 9, 2023 | 11:00am
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