A Light Most Hateful Is an Inventive, Creepy Wonder

Hailey Piper is one of the most powerful rising voices in genre fiction for a number of reasons. She’s got a great narrative voice, a knack for creating remarkable settings, and such a clear grasp on the kinds of stories she wants to tell that she can mash up any number of genres, plot devices, and places while never losing her particular identity as a storyteller. It’s a talent she’s been showing off for years through books like Queen of Teeth and No Gods for Drowning, as well as through dozens of short stories popping up all across the genre space. Now, with A Light Most Hateful, Piper may have delivered her most powerful story yet.
In the small town of Chapel Hill, Pennsylvania, Olivia feels adrift. She’s got very little in terms of stability besides the kindly couple who took her in after her own family abandoned her, the drive-in theater where she reluctantly works, and of course her best friend, the effervescent Sunflower. It’s a life she’s worked hard to build, but in one night, it all comes crashing down as a strange storm blows through Chapel Hill, changing everything instantly. Monsters come out of the woodwork, townspeople turn into mindless zombies screaming messages of hate, and a deadly crystal rain falls from the sky. At first, Olivia’s only thoughts are of finding Sunflower and getting to safety, but as the night goes on, she discovers that the weird events gripping her town are about so much more than a single bizarre weather event.
There’s a striking narrative balance that kicks off A Light Most Hateful right away, something Piper has shown off frequently in her short fiction but perhaps never deployed this skillfully in a novel before. This is a book that throws you off the deep end, inserting the supernatural into the predictable world of Chapel Hill almost immediately, then never letting up for the remainder of the novel. Within pages, monsters have emerged, chaos has cast its shadow over Olivia and her friends, and yet Piper never leaves you feeling lost as to who these people are and what they want. The characters, from Olivia to Sunflower to a unique local named Christmas, feel fully formed, tactile, and gripping, even as the world around them morphs and shifts in dangerous and increasingly unpredictable ways. It’s a remarkable narrative achievement, but that’s not the end of A Light Most Hateful‘s gifts.