The Survivors by Robert Palmer

In the early chapters of Robert Palmer’s debut novel, The Survivors, psychologist protagonist Cal Henderson resembles no one so much as Richard Ford’s Frank Bascombe. He’s cool-headed, patiently analytical and self-deprecatingly aware of the limits of what he can do for others. In a way, inside the head of a Frank Bascombe-type is the last place you expect to find yourself in a page-turner, since Bascombe’s adventures, from The Sportswriter to Let Me Be Frank With You, unfold at a pace that’s lugubrious at best. However wonderfully engaging, Ford’s series rarely attempts the sort of urgency that propels thrillers like The Survivors from a captivating start to a dramatic and revelatory finish.
In that sense, a psychologist whose practice thrives on long-term analysis sustained in 50-minute sessions seems no better a candidate to launch a series of nail-biting mystery novels than a sportswriter or a real estate agent (although he might have some useful theories on the nail-biting). Then again, every competent fictional gumshoe is an amateur psychologist. A demonstrated ability to read people, divine their motives and anticipate their next move is what keeps a working detective in business. Ross MacDonald, in his 14 Lew Archer novels, practically made a career of marrying Sophocles and Freud to Raymond Chandler and Dashiell Hammett.
As a crime novel told from a psychologist’s perspective, it seems only fitting that The Survivors should deal with the repercussions of a past that’s not only horrifically troubled but largely suppressed in the protagonist’s memory. As a young boy, Cal Henderson (then known as Davie Oakes) not only witnessed his mother’s suicide, but discovered shortly thereafter that she had murdered his father and two older brothers just before turning the gun on herself. Also shot in the head that night was Cal’s best friend, Scottie, who was playing hide-and-seek in the closet with Cal’s brothers. Only Cal and Scottie survived.