Joe Pera Talks With Us About Joe Pera Talks With You
Photos courtesy of Adult Swim
Imagine snuggling under your favorite blanket and a surprise dog licks your face. Imagine living with the Gundersons from Fargo in a world with no murder. Imagine if you got to eat meatloaf homemade from the flesh of Charlie Brown.
These are my best stabs at describing what it’s like to watch Joe Pera do comedy. Suffice it to say: it’s hard to explain. If it helps to know that Pera is an Andy Kaufman Award winner, and the sensitive old-man persona is nothing short of completely genuine, well, good. I’m glad to have helped.
Pera’s various projects for Adult Swim, including the animated Joe Pera Talks You to Sleep and the live-action Joe Pera Helps You Find the Perfect Christmas Tree, also serve as brilliant counter-programming for the channel’s signature, aggressive style. And yet, they fit right in. It’s just a completely different kind of absurdity, one borne from gentle, kind intentions (“We just tried to focus on talking them to sleep and making a relaxing show for before bed,” said Pera, when I asked him how he’d describe Talks You to Sleep’s operating conceit).
Pera’s first series, Joe Pera Talks With You, is a spiritual sequel to his previous Adult Swim specials, and communicates that same serene loneliness. “Each one has kind of served as development for the next one,” Pera says. “They’re definitely doing different things, but the series is definitely another step.” With the Christmas Tree special serving as a kind-of backdoor pilot, each episode of Talks With You grows a new story from one of Joe’s tutorials (i.e. “Joe Pera Takes You to Breakfast,” “Joe Pera Shows You How to Dance,” “Joe Pera Takes You for a Fall Drive”), using them to give viewers a glimpse into the fictional Joe’s still-waters-run-deep life in the Upper Peninsula of Michigan.
For Pera, an accomplished stand-up comedian in his own right, the pace and intensity of delivering nine episodes of television instead of one has begun to shift his process. “I like testing stuff out in front of an audience,” says Pera, regarding a three night stint performing an hour of stand-up to generate ideas. “You can tell right away whether they like it or not… I usually like screening stuff in front of a live audience, too… I can feel, during a screening, what’s working and what’s not. Where to adjust cuts. This was the first project that was way too massive to test screen everything as well as have full stand-up bits for it… Because I couldn’t start stuff on stage, I had to start stuff thinking how it would work on the TV show, and I think that, because of that, later episodes that I didn’t have to test onstage are different from previous work in a way that is kinda neat.”