The Seeds, Infinity Wars & More in Required Reading: Comics for 8/1/2018
Main Art by David Aja
We love it when the first New Comic Book Day of the month falls on the first—it’s like the industry sales cycle is matching up with the calendar to kick things off just right. August brings with it the final days of summer, yes, but also a host of exciting beginnings. DC Comics’ fan-favorite Super Sons reunite for new Adventures, Kitty Pryde flashes back to a youthful outing, Justice League takes a doom-and-gloom break from its regular proceedings and Infinity Wars properly kicks off after a Countdown prequel and a Prime issue, whatever that means. Steven Universe gets a new comic outing, John Layman and Nick Pitarra launch Leviathan at Image, Project Superpowers gets another opportunity to land and the long-awaited The Seeds finally sprouts. Say hello to August, everyone, and happy reading.
Adventures of the Super Sons #1
Writer: Peter J. Tomasi
Artist: Carlo Barberi
Publisher: DC Comics
It’s never a happy day when a comic is cancelled, but some conclusions sting more than others. The surprise announcement that fan-favorite DC Comics series Super Sons would end with issue #16 left readers despondent; in addition to the pure fun factor of Damian Wayne and Jon Kent’s buddy adventures as Robin and Superboy, respectively, the series served as an excellent entry point to the DC universe for fans across the age spectrum. We here at Paste were thrilled, then, to confirm that Tomasi isn’t done with Jon and Damian’s heroic friendship just yet. Beginning this Wednesday, Tomasi and artist Carlo Barberi will reunite for Adventures of the Super Sons, a brand-new series that picks up right where Super Sons #16 leaves off. As Tomasi explained in our announcement chat, Adventures of the Super Sons is designed to be a seamless continuation for fans of the current title, as well as a jumping-on point for readers who haven’t been following Jon and Damian’s antics. The first issue introduces a group of alien troublemakers known as the Gang, who idolize Earth’s villains and emulate them in their own unexpected ways. If you’ve missed this pint-sized dynamic duo as much as we have, this is a happy New Comic Book Day, indeed. Steve Foxe
Backways Vol. 1: All the Forgotten Things
Writer: Justin Jordan
Artist: Eleonora Carlini
Publisher: AfterShock
Hidden worlds of magic aren’t anything new, with classics like The Chronicles of Narnia and Harry Potter making it easy to believe that wands and spells and unrecognizable creatures are just out of reach for most of humankind. Far from being a chosen one, protagonist Anna Merrick isn’t destined to rule the magical realm the rest of the world can’t see, she’s lost someone and must traverse the titular Backways to find them. Writer Justin Jordan is probably best known for titles like Luther Strode and Savage Things, comics that are violent and introspective in turns, and while Backways doesn’t shy away from conflict, it’s a different sort of story than his typical tales. Art from Eleonora Carlini, who contributed to Batgirl and Doctor Who, helps set a tone that’s exploratory and emotional rather than combative. This volume collects all five issues of the series and acts as a great entry point into comics for fans of books like Neverwhere or the Bordtertown series. Caitlin Rosberg
I Am a Hero Vol. 7
Writer/Artist: Kengo Hanazawa
Publisher: Dark Horse Comics
The most essential horror comic on stands in 2018 remains Dark Horse’s omnibus translations of Kengo Hanazawa’s zombie manga, I Am a Hero. Each double-sized collection peels away more unexpected layers to Hanazawa’s particular flesh-eating apocalypse, most recently including the revelation of not-quite-zombified humans with enhanced abilities. If that sounds goofy and too shonen, it’s not—these hybrids owe more to Junji Ito’s twisted fleshy abominations than to any action-packed horror-lite adventure. One word of warning: Vol. 7 contains a brief aside in which a character misgenders her transgender brother and otherwise uses some regressive, potentially triggering terms. Even if the translation is completely faithful to the source material, it’s hard not to think that Dark Horse had an opportunity to address this with a translator’s note, at the very least. It’s an unfortunate blemish on what’s otherwise one of the best comics on stands today. Steve Foxe