For the Love of Doritos: Paste Interviews Singer Robbie Fulks
On the heels of last year’s critically adored Gone Away Backward, Robbie Fulks is all over the place this summer. At festivals (from the American Music Festival in Chicago to Pickathon in Oregon), on Prairie Home Companion (where listeners could hear the exact moment Garrison Keeler drank the Kool-Aid: “I think Robbie Fulks just became one of my favorite singers,” he said, wonderingly. Welcome to the club, Garrison), and across the sea, where he’s playing a string of August dates in the UK with the “Mini-Mekons” (Sally Timms and Jon Langford). Between summer travels, Fulks continues to repeatedly one-up himself with his Monday night residency at The Hideout in Chicago, blowing minds right out of faces one week with a set of experimental jazz versions of Carter Family songs, inspiring sighs and tears the next in a sweet duo with Nora O’Connor.
Fulks brings his restless work ethic to the kitchen, where he isn’t afraid to tackle complicated and challenging recipes, and where he is apparently cooking his way through London chef Ottolenghi’s brilliant cookbook, Plenty. At the same time, he doesn’t suffer foodies gladly and is perfectly fine with a meal of M&Ms and Doritos on the road, or a simple salad and classic spaghetti and meatballs at home.
Paste: You’re at a truck stop, you’re starving, and you have five minutes to assemble a meal. Please describe that meal, and how you feel about it.
Robbie Fulks: That happens so frequently that no powers of imagination are needed. It’s peanut M&Ms, a little bag of Doritos (they don’t look little until you hold them next to the family-size bags), a banana, and a Coke. I have the same meal if I’m checking into a Marriott Courtyard after hours and haven’t eaten. The banana is optional, because truck stop and hotel bananas often taste like the namesake of this magazine. How do I feel about that? Fine! I’m no goddamn Alice Waters.
Paste: When you’re traveling, what food from home do you crave?
RF: I miss really simple stuff. There are so many stretches of interstate, especially in barbaric places like Missouri and Pennsylvania, where there’s nothing on offer that any decent person could hold down. Two slices of bread with non-cooked things in it is seemingly beyond the world’s greatest economy to provide, scalably. And I find no restaurant with “apple” on the menu. Can I just get an apple? One thing I like to eat almost every day at home is a basic green salad, featuring a soft and topologically complex lettuce like Boston or red-leaf, dressed in oil and lemon. On the road you can get a splay of bitter alley weeds in starchy places, and the grazing bar cum spittoon over at the Bonanza, but they don’t quite fill the niche.
Paste: Do you have any superstitious pre-show drink rituals?
RF: No I don’t. I’ve got this thing, “alcoholism” I think the docs call it, and I put off drinking until the work is done because sometimes it gets out of hand.
Paste: Can you tell me about a meal or a particular food that you were supposed to like but didn’t?
RF: I’m not sure I understand the premise, but let me reply in this way. For a long time my wife and I were unreflective subscribers to the leisure-class cult of foodie-ism. In the early 2000s, with our first discretionary income in hand, we started going on dates to places where we’d cavalierly spend the equal of our grandparents’ annual income during the Great Depression on dinners portioned in Great Depression sizes and taking as long as the Great Depression to finish. Vita brevis, we laughed, while clinking and gorging away at Trotter’s and Ambria and other posh Chicago troughs.
After several years of this wanton wastage, reality began dawning. Where, once you’d rid your mind of reputation, social chatter, and magazine reviews, did you really find the best food away from home? Tacquerias, Thai holes-in-the-wall, family enterprises in drab strip malls, midnight ramen dives—all places where dropping twenty dollars was a challenge. A fifty-dollar tab in a slightly la-dee-da place equated, time and again, to over-salted nonsense; and as for the joints where you burnt through your savings hundreds at a clip, only one out of 10 had suitably spectacular food, food you might recall fondly on your deathbed. The other nine were memorable for sitting upright for four hours in a tight collar, putting up with oily and ill-humored waiters, enduring the company of the kind of boring loudmouth businesspeople you’d never want to have to dinner at your own house, running out of talk in the third hour, and leaving a little hungry. An expensive lesson in common sense, but one solidly learned. I do adore food and the ritual of dining out, and I don’t believe the term “fine art” is comically antithetical to food preparation, but I’m dead sure that the fine-dining biz (let’s except Grant Achatz, Daniel Boulud and a few others) is a complete racket.