Chemistry Keeps John Woo’s Remake of The Killer Alive

If there’s a takeaway to August as it draws to a close, it’s that the one-two punch of the 2024 Summer Olympics and Peacock’s The Killer have infused me with the je ne sais quoi of Paris. Going from watching volleyball matches set against the Eiffel Tower to director John Woo blissfully framing head shots along the banks of the Seine, the City of Light has earned my newfound appreciation for its aesthetic flexibility.
Of course, Woo would know best how to stage Paris to best service his signature style of operatic killing and mayhem. When body parts or spurting blood aren’t flying into frame, you’d almost believe Woo has gone soft with how lovingly he stages the city to host the remake of his 1989 Hong Kong action classic, The Killer. It’s either that or he got some sweet tax credits to hide a beautifully lit advertorial for the city inside his carnage-filled drama.
The more pertinent question is why is Woo revisiting The Killer some 35 years after he already did it right the first time with actors Chow Yun-fat and Danny Lee? The answer is that for 32 of those years, Woo was attached to produce a remake that never ended up happening, despite a steady stream of filmmaker interest over its many screenplay iterations. It wasn’t until 2015 that a revised script by writers Brian Helgeland, Josh Campbell and Matt Stuecken, which flipped the gender of Yun-fat’s assassin character, wooed Woo back to Hollywood to reimagine his classic.
Obviously, it still took a while to get made, but now we have Peacock’s The Killer starring Nathalie Emmanuel (Missandei in Game of Thrones) as Zee, a ruthless assassin based in Paris. A real whiz with wigs, finely tailored coats and leather death pants, Zee kills for Finn (Sam Worthington), her Irish handler who lovingly tolerates her annoying moral compass because she’s so good at what she does.
Much like the original film, Zee is assigned to take out the henchmen of the city’s most powerful drug dealer, which she does with swords hidden in her coat, earning an A+ for blood-soaked creativity and carving skills. What she doesn’t do is kill the only survivor in the room, Jenn (Diana Silvers), a young chanteuse who cracked her head during the melee and lost her vision. Turns out that Zee’s mercy doesn’t sit well with Finn, because Jenn was witness to a deal gone bad and knows where $75 million worth of drugs are being stashed. Sympathetic towards the songbird because of a familial similarity, Zee nevertheless plans to finish the job at the hospital with a little IV poison. Instead, Inspector Sey (Omar Sy) is already in Jenn’s room taking her statement. So Zee has to pretend to be Jenn’s advocate from the American consulate and find out what he knows.