The Best Songs of July 2024
Photos by Evan Benally Atwood, Dario Vazquez & Justin Gordon
July, the first full month post-BRAT gave us wall-to-wall enjoyments. Porridge Radio returns for their second consecutive month-end placement, as does MJ Lenderman. But July also saw some of our favorite musicians, like Haley Heynderickx and Laura Marling, release their first threads of new music in years. Last month saw the supposed finale of Childish Gambino and the still-fresh origins of Pittsburgh powerhouse Merce Lemon. Suffice to say, it was a great, great 31 days of music for pop, rock, punk, R&B and folk lovers alike. As we look toward what August has to offer, including upcoming albums from Fontaines D.C., Sabrina Carpenter, Why Bonnie and Charly Bliss, we’d first like to honor the best of the best from last month. So, without further ado, here are our 10 favorite songs of July 2024. —Matt Mitchell, Music Editor
Cassie Ramone: “Together”
Former Vivian Girls bandleader Cassie Ramone released her long-awaited sophomore album, Sweetheart, in early July, and it’s an incredible trove of nostalgia intertwined with modernist rock bedrock. The album itself is not yet on streaming services, instead available as buyable MP3s or in a full stream on YouTube (much like Cindy Lee’s Diamond Jubilee), but all 11 songs deserve your full focus. It’s track #5 that sticks out on every listen for me; “Together” is lo-fi perfection and distinctive for how it sounds like Kim Deal singing a post-Blog Era dream-pop cut. There’s a strangeness to Sweetheart, in its serpentine homage to music unbothered by comparisons to any one genre or place in time. “Together” is the colossal, heavy and sugar-sweet focal point on a record packed wall-to-wall with timeless, bombastic quakes of pop enchantments. —Matt Mitchell
Childish Gambino: “Lithonia”
Donald Glover dropped a bombshell last month when he announced Bando Stone and the New World, a self-directed and self-starring feature-length film. An album of the same name was then released as the film’s soundtrack, which also served as the final album Glover releases under his Childish Gambino moniker. Glover enlisted longtime collaborator Ludwig Göransson along with Michael Uzowuru (Frank Ocean, SZA, FKA twigs) and pop powerhouse Max Martin for production on lead single “Lithonia,” a welcomed pivot toward a more rock-oriented sound for the Childish Gambino catalog. “Lithonia” is captivating and theatrical, with Glover consistently returning to the refrain “Nobody gives a fuck” as the instrumental explodes into Queen-esque, rock-opera territory—with its dramatic piano licks and sustained electric guitar ringing in throughout. Gambino’s vocal delivery is anthemic and passionate. —Leah Weinstein
Ginger Root: “There Was a Time”
The build-up for Ginger Root’s new album SHINBANGUMI has been a vibrant collage of pop extravagance—namely because of “No Problems” and “Better Than Monday” being such good teasers. Cameron Lew makes music unbound to any era, because it merges nearly all of them into one fuzzy, warming vessel of enchantment. “There Was a Time” sounds like a city pop outtake funneled into a kaleidoscope, a song-cycle gem rife with psychedelia and bleep-blooping electronica that sounds like the guts of a lava lamp. As Lew would have it, the whole show is very Ram-era Paul McCartney, a burner worth its weight in intercontinental splendor and pop majesty. —MM
Haley Heynderickx: “Seed of a Seed”
At long last, Portland’s Haley Heynderickx returned from an unofficial seven-year hiatus in July. It’s refreshing to see an artist refuse to churn out less-than-stunning material in order to satiate a streaming-addled, impatient fanbase, and to instead take her time on doing what she does best. Heynderickx’s slow-cooking has more than paid off—“Seed of a Seed” is already a classic in her small but rich catalog of meditative, idiosyncratic folk songs. On her comeback single, she expresses gratitude for simple joys: “And if I’m lucky / Maybe a glass of wine / And if I’m lucky / Maybe a hand next to mine” As for the rest of us, we’re lucky to hear from her again. —Grace Robins-Somerville
Hinds: “Superstar”
On the latest single from Hinds’ forthcoming album VIVA HINDS, the Madrid garage rock duo take unsparing yet surprisingly empathetic aim at a “local superstar” who’s lonely at the top. “Your mom and dad are paying all your bills / None of your friends will tell you how they really feel” Carlotta Cosials and Ana Perrote sing, reminding the star of their scene that they got what they wanted. The bright, syncopated chorus is deliciously bratty and snarky without sacrificing Hinds’ signature warmth and down-to-earth goofiness. It’s a kiss-off to a clout-chaser who put their ego before their friendships and is now reaping all the rewards and the losses. Listening to a Hinds song often feels like a gossip session with your best friends that devolves into manic cry-laughing, and “Superstar” is yet another perfect encapsulation of their charm and effervescence. —GRS