Cobra Kai Sweeps the Leg to a Satisfying Finale in Season 6 Part 3
Photo by Curtis Bonds Baker, courtesy of Netflix
After two network homes (YouTube Premium and Netflix), six seasons and 65 episodes of blissful ‘80s nostalgia mixed with smart contemporary storytelling, the final five episodes of Cobra Kai have arrived. If you told me six years ago that this series sequel to The Karate Kid would be one of the most entertaining and rewarding big screen to small screen revivals ever, I’d never believe it. But Cobra Kai creators Josh Heald, Jon Hurwitz, and Hayden Schlossberg made me a believer as they’ve delivered some crowd-pleasing final episodes that take no mercy on our tear ducts and heartstrings.
Episode 6.11, “Into the Fire,” picks up after “Eunjangdo” in the aftermath of the Sekai Taikai all-dojo brawl death of Kwon Jae-Sung (Brandon H. Lee), the captain of Cobra Kai’s South Korean branch. Despite all of the show’s various party brawls and individual nasty confrontations across all six seasons, death has been rare. So the loss of Kwon is potent enough to cancel the Sekai Taikai tournament, while providing the perfect emotional table setter for some real introspection and assessment of priorities for the adults and the karate students.
Shaken by how the competition devolved, Daniel LaRusso (Ralph Macchio) is ready to move on and leave karate behind. Terry Silver (Thomas Ian Griffith) and Johnny Lawrence (William Zabka), for very different reasons, want to continue the tournament. And then there’s Kreese (Martin Kove), who finally sees the devastating impact of Kim Sun-Yung’s (C.S. Lee) vengeance style of training, and subsequently the pain he’s inflicted on so many by disseminating that hateful mentality via Cobra Kai. In this world that honors the wisdom and authority of the sensei above all, it’s a necessary crisis point for all of the dojo leaders to look inward regarding their behaviors.
Quite a few major moves are made by key players which sets up the return of the Sekai Taikai tournament to the full circle location of the San Fernando Valley. The Cobra Kai production team must have been giddy, going buckwild with their nostalgic set creation that’s taken straight from The Karate Kid (1986). If any show has earned this blast from the past moment, it’s Cobra Kai, because it has studiously avoided being derivative. Plus, they use those classic sets to set up some thrilling last episodes that swing for the fences when it comes to thrilling fight choreography, tension and effective call backs that honor the past and the present.